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Which one possess'd, nor pause, nor quiet knew

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The sure associate, ere with trembling speed

He found its path and fix'd unerring there.

Such is the secret union, when we feel

A song, a flower, a name, at once restore

Those long-connected scenes, where first they mov'd

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The attention; backward through her mazy walks
Guiding the wanton fancy to her scope,

To temples, courts, or fields; with all the bands
Of painted forms, of passions and designs
Attendant; Whence, if pleasing in itself,
The prospect from the sweet accessions gains
Redoubled influence o'er the listening mind.

By these mysterious ties the busy power
Of memory her ideal train preserves
Intire; or when they would elude her watch,

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Reclaims their fleeting footsteps from the waste
Of dark oblivion; thus collecting all

The various forms of being to present,

Before the curious aim of mimic art,

Their largest choice; like spring's unfolded blooms

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Exhaling sweetness, that the skilful bee

May taste at will, from their selected spoils

To work her dulcet food. For not the expanse

Of living lakes, in summer's noontide calm,

Reflects the bordering shade and sun bright heavens

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With fairer semblance; not the sculptur'd gold
More faithful keeps the graver's lively trace,
Than he whose birth the sister powers of art
Propitious view'd, and from his genial star
Shed influence to the seeds of fancy kind;
Than his attemper'd bosom must preserve

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The seal of nature. There alone unchang'd

Her form remains. The balmy walks of May

There breathe perennial sweets; the trembling chord

Resounds forever in the abstracted ear

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Melodious; and the virgin's radiant eye,

Superior to disease, to grief, and time,

Shines with unbating lustre. Thus at length
Endow'd with all that nature can bestow,
The child of fancy oft in silence bends

O'er these mix'd treasures of his pregnant breast,
With conscious pride. From them he oft resolves
To frame he knows not what excelling things;
And win he knows not what sublime reward

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Of praise and wonder. By degrees the mind
Feels her young nerves dilate; the plastic powers
Labour for action; blind emotions heave

His bosom; and with loveliest phrenzy caught,
From earth to heaven he rolls his daring eye,
From heaven to earth. Anon ten thousand shapes,
Like spectres trooping to the wizard's call,
Flit swift before him. From the womb of earth,
From ocean's bed they come; the eternal heavens
Disclose their splendours, and the dark abyss
Pours out her births unknown. With fixed gaze
He marks the rising phantoms. Now compares

Their different forms; now blends them, now divides,

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Now thither fluctuates his inconstant aim
With endless choice perplex'd. At length his plan
Begins to open. Lucid order dawns;
Ard as from Chaos old the jarring seeds
Of nature at the voice divine repair'd
Each to its place, till rosy earth unveil'd
Her fragrant bosom, and the joyful sun
Sprung up the blue serene; by swift degrees
Thus disentangled, his entire design
Emerges, colours mingle, features join,
And lines converge; the fainter parts retire;
The fairer, eminent in light, advance ;
And every image on its neighbour smiles.
Awhile he stands, and with a father's joy
Contemplates. Then, with Promethean art,
Into its proper vehicle he breathes

The fair conception; which embodied thus,
And permanent, becomes to eyes or ears
An object ascertain'd; while thus inform'd,
The various organs of his mimic skill,
The consonance of sounds, the featur'd rock,
The shadowy picture and impassioned verse,
Beyond their proper powers attract the soul
By that expressive semblance, while in sight
Of nature's great original we scan
The lively child of art; while line by line,
And feature after feature we refer
To that sublime exemplar whence it stole
Those animating charms. Thus beauty's palm
Betwixt them wavering hangs: applauding love

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Doubts where to choose; and mortal man aspires
To tempt creative praise. As when a cloud
Of gathering hail with limpid crusts of ice
Inclos'd and obvious to the beaming sun,
Collects his large effulgence; strait the heav'ns
With equal flames present on either hand
The radiant visage: Persia stands at gaze,
Appall'd; and on the brink of Ganges doubts
The snowy vested seer, in Mirtha's name,

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To which the fragrance of the south shall burn,
To which his warbled orisons ascend.

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Such various bliss the well tun'd heart enjoys,

Favour'd of heaven! While, plung'd in sordid cares,
The unfeeling vulgar mocks the boon divine;
And harsh austerity, from whose rebuke

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Young love and smiling wonder shrink away,
Abash'd and chill of heart, with sager frowns
Condemns the fair enchantment. On my strain,
Perhaps ev'n now some cold, fastidious judge
Casts a disdainful eye; and calls my toils
And calls the love and beauty which I sing,
The dream of folly. Thou, grave censor! say,
Is beauty then a dream, because the glooms
Of dullness hang too heavy on thy sense

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To let her shine upon thee? So the man
Whose eye ne'er opened to the light of heaven,
Might smile with scorn while raptur'd vision tells
Of the gay colour'd radiance flushing bright
O'er all creation. From the wise be far

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Such gross unhallow'd pride; nor needs my song
Descend so low; but rather now unfold,

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If human thought could reach, or words unfold,

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Have no connexion? Sure the rising sun
Q'er the cerulean convex of the sea,

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With equal brightness and with equal warmth.

Might roll his fiery orb; nor yet the soul

Thus feel her frame expanded, and her powers
Exulting in the splendour she beholds ;

Like a young conqueror moving thro' the pomp

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Of some triumphal day. When, join'd at eve,
Soft murm'ring streams and gales of gentlest breath
Melodious Philomela's wakeful strain

Attemper, could not man's discerning ear
Thro' all its tones the symphony pursue,

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Nor yet this breath divine of nameless joy

Steal through his veins and fan the awakened heart,
Mild as the breeze, yet rapturous as the song?

But were not nature still endow'd at large With all which life requires, though unador'd

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With such enchantment? wherefore then her form
So exquisitely fair? her breath prefum'd

With such ethereal sweetness? Whence her voice
Inform'd at will to raise or to depress

The impassion'd soul? and whence the robes of light

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Which thus invest her with more lovely pomp

Than fancy can describe? Whence but from thee,

O source divine of ever flowing love,

And thy unmeasur'd goodness? Not content
With every food of life to nourish man,
By kind illusions of the wondering sense
Thou mak'st all nature beauty to his eye,
Or music to his ear: well pleas'd he scans
The goodly prospect; and with inward smiles
Treads the gay verdure of the painted plain;
Beholds the azure canopy of heaven,

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And living lamps that over-arch his head

With more than regal splendour; bends his ears
To the full choir of water, air, and earth;
Nor heeds the pleasing error of his thought,
Nor doubts the painted green or azure arch,
Nor questions more the music's mingling sounds
Than space, or motion, or eternal time;
So sweet he feels their influence to attract
The fixed soul; to brighten the dull glooms
Of care, and make the destin'd road of life
Delightful to his feet. So fables tell.

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The adventerous hero, bound on hard exploits,
Beholds with glad surprize, by secret spells
Of some kind sage, the patron of his toils,

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A visionary paradise disclosed

Amid the dubious wild; with streams and shades,

And airy songs, the enchanted landscape smiles,
Cheers his long labours and renews his frame.

What then is taste, but these internal pow'rs
Active, and strong, and feelingly alive
To each fine impulse? a discerning sense
Of descent and sublime, with quick disgust,
From things deformed, or disarrang'd, or gross
In species? This, nor gems, nor stores of gold,
Nor purple state, nor culture can bestow;
But God alone, when first his active hand
Imprints the secret bias of the soul.
He, mighty Parent! wise and just in all,
Free as the vital breeze or light of heav'n,
Reveals the charms of nature. Ask the swain
Who journeys homeward from a summer day's
Long labour, why, forgetful of his toils
And due repose, he loiters to behold

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The sunshine gleaming as thro' amber clouds,
O'er all the western sky; full soon, I ween,
His rude expression and untutored airs,

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Beyond the power of language, will unfold

The form of beauty smiling at his heart,

How lovely! how commanding! But though heaven

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In every breast hath sown these early seeds

Of love and admiration, yet in vain,

Without fair culture's kind parental aid

Without enlivening suns, and genial showers
And shelter from the blast, in vain we hope
The tender plant should rear its blooming head,
Or yield the harvest promis'd in its spring.
Nor yet will every soil with equal stores
Repay the tiller's labour; or attend
His will obsequious, whether to produce
The olive or the laurel. Different minds
Incline to different objects; one pursues
The vast alone, the wonderful, the wild;
Another sighs for harmony, and grace,

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And gentlest beauty. Hence when lightning fires,

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The arch of heaven, and thunders rock the ground,

When furious whirlwinds rend the howling air,

And ocean, groaning from his lowest bed

Heaves his tempestuous billows to the sky;

Amid the mighty uproar, while below

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The nations tremble, Shakespear looks abroad

From some high cliff, superior, and enjoys
The elemental war. But Waller longs,

All on the margin of some flowery stream,

To spread his careless limbs amid the cool

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