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A NOTE ON THE VERSE

Read over these lines to yourself :

You all do know this mantle: I remember
The first time ever Caesar put it on;
'Twas on a summer's evening in his tent
That day he overcame the Nervii.

As you read, your voice will rest longer on some syllables than on others; you will say, for instance—

The first time éver Caésar pút it ón:!

Your voice will rest on the word 'first' in a way that it does not on the word 'the'. This is called stress, and 'first' is a stressed syllable.

Look at the lines again, and you will find :

(1) that they have five stresses;

(2) that the stress falls on every other syllable ;
(3) that there is no rime.

This is what we call blank verse, and it has been the metre for plays since Marlowe used it. He writes it very regularly, and in trying to learn what blank verse is, you had better begin with him.

But if all blank verse lines were exactly like ‘The first time ever Caesar put it on', our ear would get tired of the sound as we went on reading or hearing them. And, if you and I feel that, a poet's fine ear feels it much more. So he varies the rhythm for us by changing the stress; he does this after a pause or break in the line. The breaks are marked for us by the stops, and there is a slight pause at the end of the line. Thus we get lines

like

Só, I am sátisfied. | Gíve me a bowl of wine.

After the break at 'satisfied', the verse seems to start off again, and the next word will bear a stress;

so too at the beginning of the line after the pause from the line before. The effect is often very fine, as when Antony says over the dead Caesar

Are all thy conquests, glories, triumphs, spoils,
Shrúnk to this little measure? Fare thee well.

The word 'shrunk' falls on the ear with a mournful stress; the great man is so little now!

Six stresses are found sometimes where the line is broken by a pause :

The old Anchíses beár, | só from the waves of
Tíber.

A thousand times more faír, | ten thousand times
more rích.

Whát, is António hére? | Reády, so please your

gráce.

Sometimes there are less than five stresses, but then usually the line is meant to be startling :

Is he so hasty that he doth suppose

My sleep my death?

Find him, my Lord of Warwick; chide him hither,

Here the unfinished line reads like a broken cry; the speaker stops in anger. But at present you had better fix your attention on the five-stress lines.

One warning: some words in this old verse have an old-fashioned pronunciation. You may have to say 'power' (two syllables), and 'fire' in the same way; and you will find 'ambit-i-ous', 'conven-i-ent' (four syllables); the ending-ion' is often two syllables, as prevent-i-on'; and the '-ed' of the past participle fully sounded, as establishèd.

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GLOSSARY

Where a reference seemed desirable, the number of the page is inserted in brackets. An asterisk denotes an absurdity or misuse of a word by characters like Dogberry and Bottom.

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Adoration, worship.

Advantage (154), interest.

Advantages (79), additions.

Adventures, at all, at any risks.
Afeard, afraid.
Affiance, trust.

Afoot, on foot (meaning, has started off).

After-supper (205), dessert, &c., taken at the end of supper. *Aggravate (200), to make worse. B. means 'make less'. Alacrity, briskness. Albeit, although. Allay, to make quiet. Allegiance, being true to the king, loyalty.

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An, if.

Antipodes, the people at the opposite side of the world. Apace, quickly.

Apparelled, dressed, fitted out. Apparent, which can be seen; so (1) clear, plain, (2) seeming. Apparition (105), appearance. Appertinents, belongings, things which go with some principal thing.

Apprehensive (126), having intelligence, able to understand. Apt, ready.

Arbitrament, decision.

Argosy, a large merchant-ship. Argument, something to consider: so (60, 218) a thing to discuss; (71) a piece of work to do; (58, 223) the plot of a play, the subject which it treats.

Arras, tapestry (see 'hangings').
Aspect, look.

*Aspicious: D. means 'suspicious'. Athwart, across.

Attach (87), to arrest.

Attaint (73), infection (meaning bad influences, such as fear, or the effect of a sleepless night). Attaint (87), to find guilty of treason, and to condemn to loss of property and civil rights and title. Attended (179), attended to. Attribute (171), something that we think of as always belonging to a person. We say 'God is good'; so goodness is an attribute of God. Audacious, bold.

Audacity, boldness.

Audit, having your business books examined.

Auditor (203), hearer.
Augment, to make greater.
Awkward winds (42), blowing
the wrong way for you.
Ay, for, for ever.
Aye, yes.

Bagpudding (184), a pudding boiled in a bag.

Bait, to torment for sport (as in
bear-baiting, bull-baiting).
Balm (57, 76), the oil with which
a king is anointed at his corona-
tion.

Baned (167), destroyed.
Barbary-sugar

(226), sugar brought from Barbary; so, very sweet and rare.

Barnacle (225), goose. (Really a wild goose which breeds in the arctic seas.)

Basis (128), the lower part of a
column or statue, the base.
Bated, lowered, made less.
Battalia (92), battalion.
Battle (72), army.
Bauble, cheap plaything.

Bay (140), to bark at; (130) to
bring to bay, when the stag turns
and faces the hounds.
Beadle, an officer who kept order
in church and also punished small
offences in the parish.

Bear me hard (129), suspect me, think me dangerous. (Literally, to keep a tight rein on a horse.) Beaver, the faceguard of the helmet; so, the helmet itself. Beguile (the time), to while away. Beholding, obliged to anybody, beholden.

Benighted, overtaken by the night. Bergomask dance (212), a clownish dance, originally that of the peasants of Bergamo. Beshrew me. A playful cry, meaning 'Mischief to me'. Besmirch, to soil, stain. Best-conditioned, having the best temper.

Bestow yourself (80), place your

self.

Bethink me (153), consider with
myself, think over
Betoken, to mean.
Biggin, night-cap.

Bills, brown (187). See note, p. 191.

*Blunt (194). D. means 'sharp'. Boding (19), giving a warning of evil. The cry of the owl was a sign of bad luck. Boisterous, rough.

Bolted (68), sifted like fine meal. Bondman, slave.

Book (82), to register, make a list of.

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Breathing courtesy (180), politeness expressed only in words. Breech, to flog.

Breeks, breeches.

Brief (205), a short programme. Brisky (203), brisk, smart. Broach, to tap liquor.

Brood (26), to protect like a hen
covering her chickens.
Buckler, a shield.

Buckram, coarse linen or cloth
stiffened with gum.
Buffet, to cuff, hit out at.
Bulk (89), body.

Bully (201), a jolly fellow.
Burn their mention (20), destroy
their honourable mention of us,
just as if you were burning books
or papers which contained it.
Buzzard, an inferior hawk, use-
less for sport; it could fly, not
strike.

By and by, at once. By 'r lakin (201), by our ladykin, or little lady (an old oath).

Calendar of Virtue (105), a list in which good deeds appear like

the Saints' names in an almanac. Canker, a caterpillar which destroys the buds and leaves of plants.

Capacity, to my (206), to my understanding, as far as I am able to take things in. Capital, punished with death. Carat, the proportion of pure metal in anything made of gold. Carriage (97), the way a man carries himself or behaves. Carrion, dead and rotting. Case ye (217), put on your disguises.

Casement, the frame of a window.
Casket, a small ornamental box.
Casque, helmet.

Caterpillar (218), one who preys
on society, an extortioner.
Celerity, speed.
Celestial, heavenly.
Censure (132), to judge.
Ceremony (76), grandeur, royal
state; )131), an act of honour.
Certain, certainly.

Cess (213), reckoning, measure. Chamberlain (215), the upper servant of an inn.

Chantry (77), a chapel or altar endowed for a priest to sing mass daily for the souls of the dead. Charging-staff, a long weapon like the quarter-staff, used for attack and defence. Chattels, property. Cheerly, cheerfully.

Chide him hither (56). A short way of saying 'Talk to him severely and send him here'. Choice-drawn

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(70), carefully

Christen (214), christened.

Christendom (37), baptism, or the

faith of a Christian.

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Cloy, to fill with too much of a thing.

no

Cockpit (63), a pit in which cock-
fighting took place; here used
for the theatre. As if Shake-
speare's Agincourt, compared
with the real battle, was
better than a cock-fight.
Cockshut time (93), when it grows
dark. Cockshoots' were glades
in which nets were stretched after
dark to catch the birds that shot
into them when they were driven
by beaters.

Coffer, a money-chest.
Cogitation, thought.
Coil, a noise, bustle.
Colours (85), excuses. (Also re-
ferring to the red rose.)
Colt (217), to make a fool of.
Combustion, violent disorder.
Comeliness, beauty.
Commandement (178). We pro-
nounce 'commandment' now.
Comment, bear a (140), to be
criticized.

Commiseration, pity.

Commission, a warrant allowing people certain rights or ordering them to carry out certain duties. Commissioner, one who has a commission.

Commodity (151), goods on which money could be raised.

*Commodity (189).

'comedy

Compact, agreement.

Compass (114), reach.

Compound (57), to mix.

H. means

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