The Criticism of LiteratureMacmillan, 1928 - 397 sivua |
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Sivu 296
... GEORGE . What was good enough for his great- great - grandfather is good enough for him . However , we can trust OLIVIA to see him through it although it may take time . " Here are conservatism and ( be it said with all due respect and ...
... GEORGE . What was good enough for his great- great - grandfather is good enough for him . However , we can trust OLIVIA to see him through it although it may take time . " Here are conservatism and ( be it said with all due respect and ...
Sivu 298
... George , you- " And George , with a sigh of thankfulness , says , " Well ! This is wonderful news , Aunt Julia . " " Most providential ! ” she responds . " You understand , of course , that you are not married to Olivia ? " But George ...
... George , you- " And George , with a sigh of thankfulness , says , " Well ! This is wonderful news , Aunt Julia . " " Most providential ! ” she responds . " You understand , of course , that you are not married to Olivia ? " But George ...
Sivu 393
... George ( See " A. E. " ) . Russian Night , A ( Burke ) , 152 . Saint Joan ( Shaw ) , 174 . Saintsbury , George , 1 ; A History of Criticism , 1n . Samson Agonistes ( Milton ) , 178 . Sandburg , Carl , 142 , 260 , 316 ; Abraham Lincoln ...
... George ( See " A. E. " ) . Russian Night , A ( Burke ) , 152 . Saint Joan ( Shaw ) , 174 . Saintsbury , George , 1 ; A History of Criticism , 1n . Samson Agonistes ( Milton ) , 178 . Sandburg , Carl , 142 , 260 , 316 ; Abraham Lincoln ...
Sisältö
CRITICISM AND THE CRITIC | 1 |
LITERATURE AND THE AUTHOR | 30 |
INTELLECTUAL VALUE | 57 |
Tekijänoikeudet | |
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A. A. Milne æsthetic appeal Aristotle artist beauty biography century chapter character climax closet drama creative critic definite delight detail Dickens drama Dryden E. E. Cummings E. V. Lucas Elinor Wylie epic essay ethical expression fact familiar feeling free verse genius George give harmony human humor iambic pentameter idea images imagination instance intellectual value interest interpretation Jane Austen Keats Letty lines literary literature lyric Macmillan material means merely metrical mind modern moral narrative nature never novel novelist Olivia Paradise Lost passage perhaps picture play pleasure plot poem poet poetry present Psychology of Beauty purpose reader realize rhyme rhythm scene sense Shakespeare Shelley Shelley's significance sometimes sonnet sound speech spirit stanza story structure style suggested symbol things thought tion true truth unity Vanity Fair verse vision whole words Wordsworth writer