The Criticism of LiteratureMacmillan, 1928 - 397 sivua |
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Tulokset 1 - 3 kokonaismäärästä 29
Sivu 170
... action . Aristotle had insisted only on that of action . By the unities of time and place they meant that the whole action of the play should take place within twenty - four hours and that the scene should not be changed through- out ...
... action . Aristotle had insisted only on that of action . By the unities of time and place they meant that the whole action of the play should take place within twenty - four hours and that the scene should not be changed through- out ...
Sivu 275
... action , and no story should be put into dramatic form intended for the stage which does not move forward by means of action . Laurence Hous- man tried to dramatize the Crito and the Phado , calling his play The Death of Socrates . But ...
... action , and no story should be put into dramatic form intended for the stage which does not move forward by means of action . Laurence Hous- man tried to dramatize the Crito and the Phado , calling his play The Death of Socrates . But ...
Sivu 283
... action with greater vividness , and the speeches take on new meaning . The humorous scenes in The Merry Wives or in ... action . But action and stage pictures are not ends in them- selves , except in mere spectacle . They are a means to ...
... action with greater vividness , and the speeches take on new meaning . The humorous scenes in The Merry Wives or in ... action . But action and stage pictures are not ends in them- selves , except in mere spectacle . They are a means to ...
Sisältö
CRITICISM AND THE CRITIC | 1 |
LITERATURE AND THE AUTHOR | 30 |
INTELLECTUAL VALUE | 57 |
Tekijänoikeudet | |
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A. A. Milne æsthetic appeal Aristotle artist beauty biography century chapter character climax closet drama creative critic definite delight detail Dickens drama Dryden E. E. Cummings E. V. Lucas Elinor Wylie epic essay ethical expression fact familiar feeling free verse genius George give harmony human humor iambic pentameter idea images imagination instance intellectual value interest interpretation Jane Austen Keats Letty lines literary literature lyric Macmillan material means merely metrical mind modern moral narrative nature never novel novelist Olivia Paradise Lost passage perhaps picture play pleasure plot poem poet poetry present Psychology of Beauty purpose reader realize rhyme rhythm scene sense Shakespeare Shelley Shelley's significance sometimes sonnet sound speech spirit stanza story structure style suggested symbol things thought tion true truth unity Vanity Fair verse vision whole words Wordsworth writer