The Criticism of LiteratureMacmillan, 1928 - 397 sivua |
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Tulokset 1 - 3 kokonaismäärästä 79
Sivu 8
... beauty of a work of art , and they are concerned , in themselves , only with their sense of beauty . Like the impressionists , they are limited . They consider only a part of the total book or poem , but they speak as if that were the ...
... beauty of a work of art , and they are concerned , in themselves , only with their sense of beauty . Like the impressionists , they are limited . They consider only a part of the total book or poem , but they speak as if that were the ...
Sivu 38
... beauty of character . And the supremely beautiful poem brings this feeling of repose both to the physical senses and to the mind and soul . Through its descriptions or sug- gestions it gives a picture that satisfies the eye ; its har ...
... beauty of character . And the supremely beautiful poem brings this feeling of repose both to the physical senses and to the mind and soul . Through its descriptions or sug- gestions it gives a picture that satisfies the eye ; its har ...
Sivu 40
... beauty , as it has been described , and appears to be the function which enables the artist to create beauty out of his ex- perience . His imagination shows itself in different ways . By using it , the writer gathers together the ...
... beauty , as it has been described , and appears to be the function which enables the artist to create beauty out of his ex- perience . His imagination shows itself in different ways . By using it , the writer gathers together the ...
Sisältö
CRITICISM AND THE CRITIC | 1 |
LITERATURE AND THE AUTHOR | 30 |
INTELLECTUAL VALUE | 57 |
Tekijänoikeudet | |
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A. A. Milne æsthetic appeal Aristotle artist beauty biography century chapter character climax closet drama creative critic definite delight detail Dickens drama Dryden E. E. Cummings E. V. Lucas Elinor Wylie epic essay ethical expression fact familiar feeling free verse genius George give harmony human humor iambic pentameter idea images imagination instance intellectual value interest interpretation Jane Austen Keats Letty lines literary literature lyric Macmillan material means merely metrical mind modern moral narrative nature never novel novelist Olivia Paradise Lost passage perhaps picture play pleasure plot poem poet poetry present Psychology of Beauty purpose reader realize rhyme rhythm scene sense Shakespeare Shelley Shelley's significance sometimes sonnet sound speech spirit stanza story structure style suggested symbol things thought tion true truth unity Vanity Fair verse vision whole words Wordsworth writer