The Criticism of LiteratureMacmillan, 1928 - 397 sivua |
Kirjan sisältä
Tulokset 1 - 3 kokonaismäärästä 81
Sivu 144
... character in the form of the protagonist of his story . Or he may use some person whom he has known as the model for his por- trait . Or he may go to history or legend for character as well as plot . But whoever the character is ...
... character in the form of the protagonist of his story . Or he may use some person whom he has known as the model for his por- trait . Or he may go to history or legend for character as well as plot . But whoever the character is ...
Sivu 229
... character , and that nothing is recorded which that character could not himself have seen or known . This change in method is undoubtedly the result of the greater stress upon psy- chology and even upon psycho - analysis in modern ...
... character , and that nothing is recorded which that character could not himself have seen or known . This change in method is undoubtedly the result of the greater stress upon psy- chology and even upon psycho - analysis in modern ...
Sivu 239
... character with unfa- vorable criticism of the portrayal of a character . We may intensely dislike him , but that does not mean that he is poorly drawn . In fact , such intense dislike will scarcely result from poor artistry on the part ...
... character with unfa- vorable criticism of the portrayal of a character . We may intensely dislike him , but that does not mean that he is poorly drawn . In fact , such intense dislike will scarcely result from poor artistry on the part ...
Sisältö
CRITICISM AND THE CRITIC | 1 |
LITERATURE AND THE AUTHOR | 30 |
INTELLECTUAL VALUE | 57 |
Tekijänoikeudet | |
10 muita osia ei näytetty
Muita painoksia - Näytä kaikki
Yleiset termit ja lausekkeet
A. A. Milne æsthetic appeal Aristotle artist beauty biography century chapter character climax closet drama creative critic definite delight detail Dickens drama Dryden E. E. Cummings E. V. Lucas Elinor Wylie epic essay ethical expression fact familiar feeling free verse genius George give harmony human humor iambic pentameter idea images imagination instance intellectual value interest interpretation Jane Austen Keats Letty lines literary literature lyric Macmillan material means merely metrical mind modern moral narrative nature never novel novelist Olivia Paradise Lost passage perhaps picture play pleasure plot poem poet poetry present Psychology of Beauty purpose reader realize rhyme rhythm scene sense Shakespeare Shelley Shelley's significance sometimes sonnet sound speech spirit stanza story structure style suggested symbol things thought tion true truth unity Vanity Fair verse vision whole words Wordsworth writer