The Criticism of LiteratureMacmillan, 1928 - 397 sivua |
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Tulokset 1 - 3 kokonaismäärästä 51
Sivu 27
... clear . That clarity will depend not only on the logical arrangement of ideas and the pellucid qual- ity of the vocabulary , but also on the definiteness of the ideas themselves . The critic must never be hazy in his own mind , and he ...
... clear . That clarity will depend not only on the logical arrangement of ideas and the pellucid qual- ity of the vocabulary , but also on the definiteness of the ideas themselves . The critic must never be hazy in his own mind , and he ...
Sivu 189
... clearly can express himself clearly . This is not entirely true . As we saw in an earlier chapter , there are many ways in which an idea that is perfectly clear to the writer may be obscured in the process of putting it into words ...
... clearly can express himself clearly . This is not entirely true . As we saw in an earlier chapter , there are many ways in which an idea that is perfectly clear to the writer may be obscured in the process of putting it into words ...
Sivu 312
... clear that great poetry has the greatest of significance for its readers . As soon as the moment of intense vision has passed , and the poet prepares to ex- press his experience , he must have a realization , not only of the ...
... clear that great poetry has the greatest of significance for its readers . As soon as the moment of intense vision has passed , and the poet prepares to ex- press his experience , he must have a realization , not only of the ...
Sisältö
CRITICISM AND THE CRITIC | 1 |
LITERATURE AND THE AUTHOR | 30 |
INTELLECTUAL VALUE | 57 |
Tekijänoikeudet | |
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A. A. Milne æsthetic appeal Aristotle artist beauty biography century chapter character climax closet drama creative critic definite delight detail Dickens drama Dryden E. E. Cummings E. V. Lucas Elinor Wylie epic essay ethical expression fact familiar feeling free verse genius George give harmony human humor iambic pentameter idea images imagination instance intellectual value interest interpretation Jane Austen Keats Letty lines literary literature lyric Macmillan material means merely metrical mind modern moral narrative nature never novel novelist Olivia Paradise Lost passage perhaps picture play pleasure plot poem poet poetry present Psychology of Beauty purpose reader realize rhyme rhythm scene sense Shakespeare Shelley Shelley's significance sometimes sonnet sound speech spirit stanza story structure style suggested symbol things thought tion true truth unity Vanity Fair verse vision whole words Wordsworth writer