The Criticism of LiteratureMacmillan, 1928 - 397 sivua |
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Sivu 66
... considered debatable . Science seems to belong so wholly to the intellect that it appears to have no place in so emotional a form as poetry . Yet it is true that there is a very strong resemblance between the imagination of the poet and ...
... considered debatable . Science seems to belong so wholly to the intellect that it appears to have no place in so emotional a form as poetry . Yet it is true that there is a very strong resemblance between the imagination of the poet and ...
Sivu 133
... considered loftier than touch , or than smell and taste , which bring us the grosser pleasures . Even of these last two , taste is considered the grosser and is less often used in literature . Any appeal to the senses which stops with ...
... considered loftier than touch , or than smell and taste , which bring us the grosser pleasures . Even of these last two , taste is considered the grosser and is less often used in literature . Any appeal to the senses which stops with ...
Sivu 324
... considered good . Mere asso- nances in place of rhymes have never been considered good 324 THE CRITICISM OF LITERATURE.
... considered good . Mere asso- nances in place of rhymes have never been considered good 324 THE CRITICISM OF LITERATURE.
Sisältö
CRITICISM AND THE CRITIC | 1 |
LITERATURE AND THE AUTHOR | 30 |
INTELLECTUAL VALUE | 57 |
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A. A. Milne æsthetic appeal Aristotle artist beauty biography century chapter character climax closet drama creative critic definite delight detail Dickens drama Dryden E. E. Cummings E. V. Lucas Elinor Wylie epic essay ethical expression fact familiar feeling free verse genius George give harmony human humor iambic pentameter idea images imagination instance intellectual value interest interpretation Jane Austen Keats Letty lines literary literature lyric Macmillan material means merely metrical mind modern moral narrative nature never novel novelist Olivia Paradise Lost passage perhaps picture play pleasure plot poem poet poetry present Psychology of Beauty purpose reader realize rhyme rhythm scene sense Shakespeare Shelley Shelley's significance sometimes sonnet sound speech spirit stanza story structure style suggested symbol things thought tion true truth unity Vanity Fair verse vision whole words Wordsworth writer