The Criticism of LiteratureMacmillan, 1928 - 397 sivua |
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Tulokset 1 - 3 kokonaismäärästä 70
Sivu 23
... critic who would use toma- hawk and scalping - knife on all writers who are not of his opinion that led him to his comparison of the critic with the scientist . All this , however , is not to say that the critic is to have no strong ...
... critic who would use toma- hawk and scalping - knife on all writers who are not of his opinion that led him to his comparison of the critic with the scientist . All this , however , is not to say that the critic is to have no strong ...
Sivu 25
... critic will never presume to pro- nounce judgment ex cathedra on the basis of insufficient knowledge . X On the other hand , the good critic will not be Pope's bookful blockhead ignorantly read , With loads of learned lumber in his head ...
... critic will never presume to pro- nounce judgment ex cathedra on the basis of insufficient knowledge . X On the other hand , the good critic will not be Pope's bookful blockhead ignorantly read , With loads of learned lumber in his head ...
Sivu 29
... critic . The ideal critic will have both sides of his hyphenated nature balanced with each other ; his creative powers will match his scientific , and both will combine to produce that being whose qualities Amiel thus summarized ...
... critic . The ideal critic will have both sides of his hyphenated nature balanced with each other ; his creative powers will match his scientific , and both will combine to produce that being whose qualities Amiel thus summarized ...
Sisältö
CRITICISM AND THE CRITIC | 1 |
LITERATURE AND THE AUTHOR | 30 |
INTELLECTUAL VALUE | 57 |
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A. A. Milne æsthetic appeal Aristotle artist beauty biography century chapter character climax closet drama creative critic definite delight detail Dickens drama Dryden E. E. Cummings E. V. Lucas Elinor Wylie epic essay ethical expression fact familiar feeling free verse genius George give harmony human humor iambic pentameter idea images imagination instance intellectual value interest interpretation Jane Austen Keats Letty lines literary literature lyric Macmillan material means merely metrical mind modern moral narrative nature never novel novelist Olivia Paradise Lost passage perhaps picture play pleasure plot poem poet poetry present Psychology of Beauty purpose reader realize rhyme rhythm scene sense Shakespeare Shelley Shelley's significance sometimes sonnet sound speech spirit stanza story structure style suggested symbol things thought tion true truth unity Vanity Fair verse vision whole words Wordsworth writer