The Criticism of LiteratureMacmillan, 1928 - 397 sivua |
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Tulokset 1 - 3 kokonaismäärästä 84
Sivu 110
... emotional appeal of books , we must remember that there are three people whose emotional experience must be examined , the writer , the character , and the reader . Some writers on literary criticism , includ- ing Winchester , think ...
... emotional appeal of books , we must remember that there are three people whose emotional experience must be examined , the writer , the character , and the reader . Some writers on literary criticism , includ- ing Winchester , think ...
Sivu 111
... emotional receptiv- ity toward the book itself , are clearly not literary causes . His real emotional response will be to the results , as shown in the content of the book , of the writer's own emotions , and to the portrayal of emotions ...
... emotional receptiv- ity toward the book itself , are clearly not literary causes . His real emotional response will be to the results , as shown in the content of the book , of the writer's own emotions , and to the portrayal of emotions ...
Sivu 129
... emotion the author may in the course of his book run the whole gamut of feel- ing . • The long poem , novel , or play in which there is great range and variety of emotion need not consequently suffer any lapses in emotional power . Poe ...
... emotion the author may in the course of his book run the whole gamut of feel- ing . • The long poem , novel , or play in which there is great range and variety of emotion need not consequently suffer any lapses in emotional power . Poe ...
Sisältö
CRITICISM AND THE CRITIC | 1 |
LITERATURE AND THE AUTHOR | 30 |
INTELLECTUAL VALUE | 57 |
Tekijänoikeudet | |
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A. A. Milne æsthetic appeal Aristotle artist beauty biography century chapter character climax closet drama creative critic definite delight detail Dickens drama Dryden E. E. Cummings E. V. Lucas Elinor Wylie epic essay ethical expression fact familiar feeling free verse genius George give harmony human humor iambic pentameter idea images imagination instance intellectual value interest interpretation Jane Austen Keats Letty lines literary literature lyric Macmillan material means merely metrical mind modern moral narrative nature never novel novelist Olivia Paradise Lost passage perhaps picture play pleasure plot poem poet poetry present Psychology of Beauty purpose reader realize rhyme rhythm scene sense Shakespeare Shelley Shelley's significance sometimes sonnet sound speech spirit stanza story structure style suggested symbol things thought tion true truth unity Vanity Fair verse vision whole words Wordsworth writer