The Criticism of LiteratureMacmillan, 1928 - 397 sivua |
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Tulokset 1 - 3 kokonaismäärästä 84
Sivu 34
... experience that accompanies it is a larger experience than that which the average man gets from the same stimulus . 2. Largeness or breadth of experience does not necessarily imply variety or breadth of physical experience . A man may ...
... experience that accompanies it is a larger experience than that which the average man gets from the same stimulus . 2. Largeness or breadth of experience does not necessarily imply variety or breadth of physical experience . A man may ...
Sivu 51
... experience to the reader . To be sure , no reader will repeat exactly the experience of the writer , for human nature differs too greatly in individuals for one man to understand and feel precisely as another man does , and language is ...
... experience to the reader . To be sure , no reader will repeat exactly the experience of the writer , for human nature differs too greatly in individuals for one man to understand and feel precisely as another man does , and language is ...
Sivu 110
... experience ; the pleasantness or unpleasantness may be referred completely to our own experience , without any regard , for instance , to the feel- ings of the person who inspires the emotion in us . Or it may be a sympathetic experience ...
... experience ; the pleasantness or unpleasantness may be referred completely to our own experience , without any regard , for instance , to the feel- ings of the person who inspires the emotion in us . Or it may be a sympathetic experience ...
Sisältö
CRITICISM AND THE CRITIC | 1 |
LITERATURE AND THE AUTHOR | 30 |
INTELLECTUAL VALUE | 57 |
Tekijänoikeudet | |
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A. A. Milne æsthetic appeal Aristotle artist beauty biography century chapter character climax closet drama creative critic definite delight detail Dickens drama Dryden E. E. Cummings E. V. Lucas Elinor Wylie epic essay ethical expression fact familiar feeling free verse genius George give harmony human humor iambic pentameter idea images imagination instance intellectual value interest interpretation Jane Austen Keats Letty lines literary literature lyric Macmillan material means merely metrical mind modern moral narrative nature never novel novelist Olivia Paradise Lost passage perhaps picture play pleasure plot poem poet poetry present Psychology of Beauty purpose reader realize rhyme rhythm scene sense Shakespeare Shelley Shelley's significance sometimes sonnet sound speech spirit stanza story structure style suggested symbol things thought tion true truth unity Vanity Fair verse vision whole words Wordsworth writer