The Criticism of LiteratureMacmillan, 1928 - 397 sivua |
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Tulokset 1 - 3 kokonaismäärästä 63
Sivu 226
... fiction . We must , perhaps , still acknowledge the existence of the various types and still use their names , as we do in the case of drama and poetry as well , and we must recognize the necessity of making certain modifications in our ...
... fiction . We must , perhaps , still acknowledge the existence of the various types and still use their names , as we do in the case of drama and poetry as well , and we must recognize the necessity of making certain modifications in our ...
Sivu 228
... fiction uses ? The bridge over which most traffic passes is that of interest . Interesting is the adjective most frequently ap- plied to fiction by its readers . Used without discrimina- tion or explanation it is critically of very ...
... fiction uses ? The bridge over which most traffic passes is that of interest . Interesting is the adjective most frequently ap- plied to fiction by its readers . Used without discrimina- tion or explanation it is critically of very ...
Sivu 237
... Fiction : Modern fiction really began when the ' action ' of the novel was transferred from the street to the soul . . . . The next advance was made when the protagonists of this new inner drama were transformed from conventionalized ...
... Fiction : Modern fiction really began when the ' action ' of the novel was transferred from the street to the soul . . . . The next advance was made when the protagonists of this new inner drama were transformed from conventionalized ...
Sisältö
CRITICISM AND THE CRITIC | 1 |
LITERATURE AND THE AUTHOR | 30 |
INTELLECTUAL VALUE | 57 |
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A. A. Milne æsthetic appeal Aristotle artist beauty biography century chapter character climax closet drama creative critic definite delight detail Dickens drama Dryden E. E. Cummings E. V. Lucas Elinor Wylie epic essay ethical expression fact familiar feeling free verse genius George give harmony human humor iambic pentameter idea images imagination instance intellectual value interest interpretation Jane Austen Keats Letty lines literary literature lyric Macmillan material means merely metrical mind modern moral narrative nature never novel novelist Olivia Paradise Lost passage perhaps picture play pleasure plot poem poet poetry present Psychology of Beauty purpose reader realize rhyme rhythm scene sense Shakespeare Shelley Shelley's significance sometimes sonnet sound speech spirit stanza story structure style suggested symbol things thought tion true truth unity Vanity Fair verse vision whole words Wordsworth writer