The Criticism of LiteratureMacmillan, 1928 - 397 sivua |
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Tulokset 1 - 3 kokonaismäärästä 37
Sivu 228
... interest . Interest will mean different things to different people , to be sure , and no writer of fiction can hope to attract every reader who opens his book . But interest of some sort there must be . And if the reader can give rea ...
... interest . Interest will mean different things to different people , to be sure , and no writer of fiction can hope to attract every reader who opens his book . But interest of some sort there must be . And if the reader can give rea ...
Sivu 243
... interests him . Another individual may stimulate us because of his unusualness . The new , the unexpected , the strange , have interest for us . Thus a man may be interesting whose nature and ideas and habits are opposed to ours . We ...
... interests him . Another individual may stimulate us because of his unusualness . The new , the unexpected , the strange , have interest for us . Thus a man may be interesting whose nature and ideas and habits are opposed to ours . We ...
Sivu 244
... interest . Yet our interest may be very strong ; the universal may stimulate us as powerfully as the particular . All these principles may be applied to the characters in fiction . The characters of a Scott or a Stevenson or a Conrad ...
... interest . Yet our interest may be very strong ; the universal may stimulate us as powerfully as the particular . All these principles may be applied to the characters in fiction . The characters of a Scott or a Stevenson or a Conrad ...
Sisältö
CRITICISM AND THE CRITIC | 1 |
LITERATURE AND THE AUTHOR | 30 |
INTELLECTUAL VALUE | 57 |
Tekijänoikeudet | |
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Yleiset termit ja lausekkeet
A. A. Milne æsthetic appeal Aristotle artist beauty biography century chapter character climax closet drama creative critic definite delight detail Dickens drama Dryden E. E. Cummings E. V. Lucas Elinor Wylie epic essay ethical expression fact familiar feeling free verse genius George give harmony human humor iambic pentameter idea images imagination instance intellectual value interest interpretation Jane Austen Keats Letty lines literary literature lyric Macmillan material means merely metrical mind modern moral narrative nature never novel novelist Olivia Paradise Lost passage perhaps picture play pleasure plot poem poet poetry present Psychology of Beauty purpose reader realize rhyme rhythm scene sense Shakespeare Shelley Shelley's significance sometimes sonnet sound speech spirit stanza story structure style suggested symbol things thought tion true truth unity Vanity Fair verse vision whole words Wordsworth writer