The Criticism of LiteratureMacmillan, 1928 - 397 sivua |
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Sivu 327
... lyric poem . Some of the observations that follow will obviously be appli- cable to other forms of poetry as well . To some critics , like Edgar Allan Poe , the lyric has been the only kind of poetry . It is certainly , taking the whole ...
... lyric poem . Some of the observations that follow will obviously be appli- cable to other forms of poetry as well . To some critics , like Edgar Allan Poe , the lyric has been the only kind of poetry . It is certainly , taking the whole ...
Sivu 328
... lyric composition . The length of the lyric poem is the first consideration . Since it is the expression of a single emotional experience , it follows that the lyric must be brief . Emotional excite- ment and tension cannot be sustained ...
... lyric composition . The length of the lyric poem is the first consideration . Since it is the expression of a single emotional experience , it follows that the lyric must be brief . Emotional excite- ment and tension cannot be sustained ...
Sivu 329
... lyric poem be ? The answer is that a lyric poem should be just long enough to suggest the stimulus , to express the emotion , and to express or suggest the concluding thought , and no longer . Conciseness is necessary . Ver- bosity is ...
... lyric poem be ? The answer is that a lyric poem should be just long enough to suggest the stimulus , to express the emotion , and to express or suggest the concluding thought , and no longer . Conciseness is necessary . Ver- bosity is ...
Sisältö
CRITICISM AND THE CRITIC | 1 |
LITERATURE AND THE AUTHOR | 30 |
INTELLECTUAL VALUE | 57 |
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A. A. Milne æsthetic appeal Aristotle artist beauty biography century chapter character climax closet drama creative critic definite delight detail Dickens drama Dryden E. E. Cummings E. V. Lucas Elinor Wylie epic essay ethical expression fact familiar feeling free verse genius George give harmony human humor iambic pentameter idea images imagination instance intellectual value interest interpretation Jane Austen Keats Letty lines literary literature lyric Macmillan material means merely metrical mind modern moral narrative nature never novel novelist Olivia Paradise Lost passage perhaps picture play pleasure plot poem poet poetry present Psychology of Beauty purpose reader realize rhyme rhythm scene sense Shakespeare Shelley Shelley's significance sometimes sonnet sound speech spirit stanza story structure style suggested symbol things thought tion true truth unity Vanity Fair verse vision whole words Wordsworth writer