The Criticism of LiteratureMacmillan, 1928 - 397 sivua |
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Sivu 154
... matter how far realism may go on the stage , we are aware that the fourth wall is not there ; no matter how perfect the picture may be , we know that there is a frame around it . Hence we are ready to accept the sup- pression of certain ...
... matter how far realism may go on the stage , we are aware that the fourth wall is not there ; no matter how perfect the picture may be , we know that there is a frame around it . Hence we are ready to accept the sup- pression of certain ...
Sivu 272
... matter all sorts of familiar things , ears , or roast pig , or bed - books and night - lights , or lying in bed on cold mornings . Often they are things that have for us a multitude of associations , humorous or pathetic , so that our ...
... matter all sorts of familiar things , ears , or roast pig , or bed - books and night - lights , or lying in bed on cold mornings . Often they are things that have for us a multitude of associations , humorous or pathetic , so that our ...
Sivu 318
... matter made up of many symbols , all of the same or similar kind . The poet chooses that part of the uni- verse which he knows best or loves best and through which he in consequence sees visions of great signifi- cance ; and this he ...
... matter made up of many symbols , all of the same or similar kind . The poet chooses that part of the uni- verse which he knows best or loves best and through which he in consequence sees visions of great signifi- cance ; and this he ...
Sisältö
CRITICISM AND THE CRITIC | 1 |
LITERATURE AND THE AUTHOR | 30 |
INTELLECTUAL VALUE | 57 |
Tekijänoikeudet | |
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A. A. Milne æsthetic appeal Aristotle artist beauty biography century chapter character climax closet drama creative critic definite delight detail Dickens drama Dryden E. E. Cummings E. V. Lucas Elinor Wylie epic essay ethical expression fact familiar feeling free verse genius George give harmony human humor iambic pentameter idea images imagination instance intellectual value interest interpretation Jane Austen Keats Letty lines literary literature lyric Macmillan material means merely metrical mind modern moral narrative nature never novel novelist Olivia Paradise Lost passage perhaps picture play pleasure plot poem poet poetry present Psychology of Beauty purpose reader realize rhyme rhythm scene sense Shakespeare Shelley Shelley's significance sometimes sonnet sound speech spirit stanza story structure style suggested symbol things thought tion true truth unity Vanity Fair verse vision whole words Wordsworth writer