The Criticism of LiteratureMacmillan, 1928 - 397 sivua |
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Tulokset 1 - 3 kokonaismäärästä 42
Sivu 109
... moving . When we are stirred and moved by a person or thing , we experience an emotion , which is described in one text book on psychology as " any complex fact of consciousness of which either pleasantness or unpleasant- ness is the ...
... moving . When we are stirred and moved by a person or thing , we experience an emotion , which is described in one text book on psychology as " any complex fact of consciousness of which either pleasantness or unpleasant- ness is the ...
Sivu 120
... moved by such a scene in litera- ture beyond the limits of toleration . There is always in the mind , although , it may ... move us by their fictitious joys and sorrows nor will they give us pleasure . But with the greatest sympathetic ...
... moved by such a scene in litera- ture beyond the limits of toleration . There is always in the mind , although , it may ... move us by their fictitious joys and sorrows nor will they give us pleasure . But with the greatest sympathetic ...
Sivu 211
... moving at the rate of sixty miles an hour , according as his imagery is chiefly visual , auditory , or kinæsthetic . The man with strong power of visualization will see the rich , patterned color of Keats ' " tiger - moth's deep- damask ...
... moving at the rate of sixty miles an hour , according as his imagery is chiefly visual , auditory , or kinæsthetic . The man with strong power of visualization will see the rich , patterned color of Keats ' " tiger - moth's deep- damask ...
Sisältö
CRITICISM AND THE CRITIC | 1 |
LITERATURE AND THE AUTHOR | 30 |
INTELLECTUAL VALUE | 57 |
Tekijänoikeudet | |
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A. A. Milne æsthetic appeal Aristotle artist beauty biography century chapter character climax closet drama creative critic definite delight detail Dickens drama Dryden E. E. Cummings E. V. Lucas Elinor Wylie epic essay ethical expression fact familiar feeling free verse genius George give harmony human humor iambic pentameter idea images imagination instance intellectual value interest interpretation Jane Austen Keats Letty lines literary literature lyric Macmillan material means merely metrical mind modern moral narrative nature never novel novelist Olivia Paradise Lost passage perhaps picture play pleasure plot poem poet poetry present Psychology of Beauty purpose reader realize rhyme rhythm scene sense Shakespeare Shelley Shelley's significance sometimes sonnet sound speech spirit stanza story structure style suggested symbol things thought tion true truth unity Vanity Fair verse vision whole words Wordsworth writer