The Criticism of LiteratureMacmillan, 1928 - 397 sivua |
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Tulokset 1 - 3 kokonaismäärästä 35
Sivu 36
... object that is too close to our daily activities , we do not call that object beautiful . Hence we often find in realism interest but not beauty . But , as has been said , " The experienced art lover is able to keep his [ æsthetic ] ...
... object that is too close to our daily activities , we do not call that object beautiful . Hence we often find in realism interest but not beauty . But , as has been said , " The experienced art lover is able to keep his [ æsthetic ] ...
Sivu 219
... object which , because of its essential similarity to the original object , and because of its greater familiarity or concreteness , will serve to in- tensify and clarify the image of the original object . This being the usual purpose ...
... object which , because of its essential similarity to the original object , and because of its greater familiarity or concreteness , will serve to in- tensify and clarify the image of the original object . This being the usual purpose ...
Sivu 221
... object or image clearer , it should com- pare that object with something more , not less , familiar , more , not less , concrete . The aptness and force of many of Pope's comparisons are unmistakable , as in the lines from An Essay on ...
... object or image clearer , it should com- pare that object with something more , not less , familiar , more , not less , concrete . The aptness and force of many of Pope's comparisons are unmistakable , as in the lines from An Essay on ...
Sisältö
CRITICISM AND THE CRITIC | 1 |
LITERATURE AND THE AUTHOR | 30 |
INTELLECTUAL VALUE | 57 |
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A. A. Milne æsthetic appeal Aristotle artist beauty biography century chapter character climax closet drama creative critic definite delight detail Dickens drama Dryden E. E. Cummings E. V. Lucas Elinor Wylie epic essay ethical expression fact familiar feeling free verse genius George give harmony human humor iambic pentameter idea images imagination instance intellectual value interest interpretation Jane Austen Keats Letty lines literary literature lyric Macmillan material means merely metrical mind modern moral narrative nature never novel novelist Olivia Paradise Lost passage perhaps picture play pleasure plot poem poet poetry present Psychology of Beauty purpose reader realize rhyme rhythm scene sense Shakespeare Shelley Shelley's significance sometimes sonnet sound speech spirit stanza story structure style suggested symbol things thought tion true truth unity Vanity Fair verse vision whole words Wordsworth writer