The Criticism of LiteratureMacmillan, 1928 - 397 sivua |
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Sivu 53
... original . A translation that is itself good literary English will have more value than the literal translation , but the added value will be that of the English words , not of the original . On the other hand , if we are unfamiliar ...
... original . A translation that is itself good literary English will have more value than the literal translation , but the added value will be that of the English words , not of the original . On the other hand , if we are unfamiliar ...
Sivu 79
... original for an abstract thought . We may find an original for such an idea as that the base angles of an isosceles triangle are equal , for it belongs to external experience . But where shall we find the original of the thought that ...
... original for an abstract thought . We may find an original for such an idea as that the base angles of an isosceles triangle are equal , for it belongs to external experience . But where shall we find the original of the thought that ...
Sivu 219
... original object , and because of its greater familiarity or concreteness , will serve to in- tensify and clarify the image of the original object . This being the usual purpose of figurative language , those similes or metaphors or ...
... original object , and because of its greater familiarity or concreteness , will serve to in- tensify and clarify the image of the original object . This being the usual purpose of figurative language , those similes or metaphors or ...
Sisältö
CRITICISM AND THE CRITIC | 1 |
LITERATURE AND THE AUTHOR | 30 |
INTELLECTUAL VALUE | 57 |
Tekijänoikeudet | |
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A. A. Milne æsthetic appeal Aristotle artist beauty biography century chapter character climax closet drama creative critic definite delight detail Dickens drama Dryden E. E. Cummings E. V. Lucas Elinor Wylie epic essay ethical expression fact familiar feeling free verse genius George give harmony human humor iambic pentameter idea images imagination instance intellectual value interest interpretation Jane Austen Keats Letty lines literary literature lyric Macmillan material means merely metrical mind modern moral narrative nature never novel novelist Olivia Paradise Lost passage perhaps picture play pleasure plot poem poet poetry present Psychology of Beauty purpose reader realize rhyme rhythm scene sense Shakespeare Shelley Shelley's significance sometimes sonnet sound speech spirit stanza story structure style suggested symbol things thought tion true truth unity Vanity Fair verse vision whole words Wordsworth writer