The Criticism of LiteratureMacmillan, 1928 - 397 sivua |
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Tulokset 1 - 3 kokonaismäärästä 83
Sivu 307
... poet of the first type that Aristotle mentions , notes the similarity between " the lunatic , the lover , and the poet , " and speaks of " the poet's eye in a fine frenzy rolling . " Blake , whom many called mad , saw on the path before ...
... poet of the first type that Aristotle mentions , notes the similarity between " the lunatic , the lover , and the poet , " and speaks of " the poet's eye in a fine frenzy rolling . " Blake , whom many called mad , saw on the path before ...
Sivu 313
... poet will use . But the mere contemplation of an object which may , to a poet , be a symbol of " a precious seeing , " will not necessarily result in a poem . Many verses have been written about birds and animals and mountains and ...
... poet will use . But the mere contemplation of an object which may , to a poet , be a symbol of " a precious seeing , " will not necessarily result in a poem . Many verses have been written about birds and animals and mountains and ...
Sivu 332
... poet must put his vision into words . He must speak so that we may understand , and as yet we are not prepared ... poet in those poems or parts of poems in which his diction has some quality that distinguishes it from prose , and as a ...
... poet must put his vision into words . He must speak so that we may understand , and as yet we are not prepared ... poet in those poems or parts of poems in which his diction has some quality that distinguishes it from prose , and as a ...
Sisältö
CRITICISM AND THE CRITIC | 1 |
LITERATURE AND THE AUTHOR | 30 |
INTELLECTUAL VALUE | 57 |
Tekijänoikeudet | |
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A. A. Milne æsthetic appeal Aristotle artist beauty biography century chapter character climax closet drama creative critic definite delight detail Dickens drama Dryden E. E. Cummings E. V. Lucas Elinor Wylie epic essay ethical expression fact familiar feeling free verse genius George give harmony human humor iambic pentameter idea images imagination instance intellectual value interest interpretation Jane Austen Keats Letty lines literary literature lyric Macmillan material means merely metrical mind modern moral narrative nature never novel novelist Olivia Paradise Lost passage perhaps picture play pleasure plot poem poet poetry present Psychology of Beauty purpose reader realize rhyme rhythm scene sense Shakespeare Shelley Shelley's significance sometimes sonnet sound speech spirit stanza story structure style suggested symbol things thought tion true truth unity Vanity Fair verse vision whole words Wordsworth writer