The Criticism of LiteratureMacmillan, 1928 - 397 sivua |
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Sivu 136
... present it to his readers . The imaginative artist works in three ways , By using his imagination the writer gathers together and makes a selection from the scattered elements of his experience , his ideas or his perceptions ; these ...
... present it to his readers . The imaginative artist works in three ways , By using his imagination the writer gathers together and makes a selection from the scattered elements of his experience , his ideas or his perceptions ; these ...
Sivu 151
... present an atmosphere and create a mood of peace and calm and resignation , he should never have chosen the word blithe to end the first line . The rest of the poem , on the other hand , as we have already seen , contains details no one ...
... present an atmosphere and create a mood of peace and calm and resignation , he should never have chosen the word blithe to end the first line . The rest of the poem , on the other hand , as we have already seen , contains details no one ...
Sivu 269
... present him with that same history , vitalized by the strong sap of admiration or hatred , and he will in all probability respond to it with lively interest . You will have made a reader of history , even though you have not made a ...
... present him with that same history , vitalized by the strong sap of admiration or hatred , and he will in all probability respond to it with lively interest . You will have made a reader of history , even though you have not made a ...
Sisältö
CRITICISM AND THE CRITIC | 1 |
LITERATURE AND THE AUTHOR | 30 |
INTELLECTUAL VALUE | 57 |
Tekijänoikeudet | |
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Yleiset termit ja lausekkeet
A. A. Milne æsthetic appeal Aristotle artist beauty biography century chapter character climax closet drama creative critic definite delight detail Dickens drama Dryden E. E. Cummings E. V. Lucas Elinor Wylie epic essay ethical expression fact familiar feeling free verse genius George give harmony human humor iambic pentameter idea images imagination instance intellectual value interest interpretation Jane Austen Keats Letty lines literary literature lyric Macmillan material means merely metrical mind modern moral narrative nature never novel novelist Olivia Paradise Lost passage perhaps picture play pleasure plot poem poet poetry present Psychology of Beauty purpose reader realize rhyme rhythm scene sense Shakespeare Shelley Shelley's significance sometimes sonnet sound speech spirit stanza story structure style suggested symbol things thought tion true truth unity Vanity Fair verse vision whole words Wordsworth writer