The Criticism of LiteratureMacmillan, 1928 - 397 sivua |
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Tulokset 1 - 3 kokonaismäärästä 23
Sivu 157
... stanzas which describe Death have gone . Of the two , Life - in - Death was the significant figure ; the de- tailed ... stanza of the final version . Note too that he has added that vivid , active description of the swift transition ...
... stanzas which describe Death have gone . Of the two , Life - in - Death was the significant figure ; the de- tailed ... stanza of the final version . Note too that he has added that vivid , active description of the swift transition ...
Sivu 180
... stanza , which Spenser uses in The Faerie Queene . Each stanza is a unit , each line within the stanza is a unit . It may easily be seen that , without some means of variation , to a poem composed of six completed books , each book ...
... stanza , which Spenser uses in The Faerie Queene . Each stanza is a unit , each line within the stanza is a unit . It may easily be seen that , without some means of variation , to a poem composed of six completed books , each book ...
Sivu 204
... stanzas of long or short lines or a combination of them in order to suggest images . In the following stanza from A Pindaric Ode , Ben Jonson has allotted the longest lines to the three hundred year old oak , the shortest to the lily of ...
... stanzas of long or short lines or a combination of them in order to suggest images . In the following stanza from A Pindaric Ode , Ben Jonson has allotted the longest lines to the three hundred year old oak , the shortest to the lily of ...
Sisältö
CRITICISM AND THE CRITIC | 1 |
LITERATURE AND THE AUTHOR | 30 |
INTELLECTUAL VALUE | 57 |
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A. A. Milne æsthetic appeal Aristotle artist beauty biography century chapter character climax closet drama creative critic definite delight detail Dickens drama Dryden E. E. Cummings E. V. Lucas Elinor Wylie epic essay ethical expression fact familiar feeling free verse genius George give harmony human humor iambic pentameter idea images imagination instance intellectual value interest interpretation Jane Austen Keats Letty lines literary literature lyric Macmillan material means merely metrical mind modern moral narrative nature never novel novelist Olivia Paradise Lost passage perhaps picture play pleasure plot poem poet poetry present Psychology of Beauty purpose reader realize rhyme rhythm scene sense Shakespeare Shelley Shelley's significance sometimes sonnet sound speech spirit stanza story structure style suggested symbol things thought tion true truth unity Vanity Fair verse vision whole words Wordsworth writer