The Criticism of LiteratureMacmillan, 1928 - 397 sivua |
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Tulokset 1 - 3 kokonaismäärästä 38
Sivu 17
... Turn'd Critics next , and prov'd plain Fools at last . But we are speaking of good critics , not those who " turn Critics in their own defence . " Can the old distinction between criticism and creation be maintained , or should ...
... Turn'd Critics next , and prov'd plain Fools at last . But we are speaking of good critics , not those who " turn Critics in their own defence . " Can the old distinction between criticism and creation be maintained , or should ...
Sivu 29
... turn next to the material with which they are concerned . We must consider the nature of literature and determine what qualities , what values we demand from it , and how we may decide whether those qualities and values are present . We ...
... turn next to the material with which they are concerned . We must consider the nature of literature and determine what qualities , what values we demand from it , and how we may decide whether those qualities and values are present . We ...
Sivu 294
... turn hom'ard . I can't turn back now , you see that , don't ye ? I've got to git the ile . Answer me ! You ain't mad , be you ? Mate . All ready sir . Comin ' , sir ? Keeney . Aye . " ... In the one - act play the climax closes the ...
... turn hom'ard . I can't turn back now , you see that , don't ye ? I've got to git the ile . Answer me ! You ain't mad , be you ? Mate . All ready sir . Comin ' , sir ? Keeney . Aye . " ... In the one - act play the climax closes the ...
Sisältö
CRITICISM AND THE CRITIC | 1 |
LITERATURE AND THE AUTHOR | 30 |
INTELLECTUAL VALUE | 57 |
Tekijänoikeudet | |
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A. A. Milne æsthetic appeal Aristotle artist beauty biography century chapter character climax closet drama creative critic definite delight detail Dickens drama Dryden E. E. Cummings E. V. Lucas Elinor Wylie epic essay ethical expression fact familiar feeling free verse genius George give harmony human humor iambic pentameter idea images imagination instance intellectual value interest interpretation Jane Austen Keats Letty lines literary literature lyric Macmillan material means merely metrical mind modern moral narrative nature never novel novelist Olivia Paradise Lost passage perhaps picture play pleasure plot poem poet poetry present Psychology of Beauty purpose reader realize rhyme rhythm scene sense Shakespeare Shelley Shelley's significance sometimes sonnet sound speech spirit stanza story structure style suggested symbol things thought tion true truth unity Vanity Fair verse vision whole words Wordsworth writer