The Criticism of LiteratureMacmillan, 1928 - 397 sivua |
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Tulokset 1 - 3 kokonaismäärästä 37
Sivu 166
... verse , and more frequent passages of verse which we say should have been written in prose . Prose has such a wide scope and is capable of such a variety of beautiful effects , that we seldom feel that it is an unsuitable form for the ...
... verse , and more frequent passages of verse which we say should have been written in prose . Prose has such a wide scope and is capable of such a variety of beautiful effects , that we seldom feel that it is an unsuitable form for the ...
Sivu 167
... verse ? The answer lies partly in the conditions of the age . Modern prose was in its in- fancy , and had not the chance of so wide an audience as verse . Pope , in the prefatory note to An Essay on Man , gives two reasons why he chose ...
... verse ? The answer lies partly in the conditions of the age . Modern prose was in its in- fancy , and had not the chance of so wide an audience as verse . Pope , in the prefatory note to An Essay on Man , gives two reasons why he chose ...
Sivu 326
... verse forms and certain types of poetry that are adapted to the repre- sentation of certain subjects and the production of cer- tain effects . The choice of the metrical form should in every case follow the vision and the choice of the ...
... verse forms and certain types of poetry that are adapted to the repre- sentation of certain subjects and the production of cer- tain effects . The choice of the metrical form should in every case follow the vision and the choice of the ...
Sisältö
CRITICISM AND THE CRITIC | 1 |
LITERATURE AND THE AUTHOR | 30 |
INTELLECTUAL VALUE | 57 |
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A. A. Milne æsthetic appeal Aristotle artist beauty biography century chapter character climax closet drama creative critic definite delight detail Dickens drama Dryden E. E. Cummings E. V. Lucas Elinor Wylie epic essay ethical expression fact familiar feeling free verse genius George give harmony human humor iambic pentameter idea images imagination instance intellectual value interest interpretation Jane Austen Keats Letty lines literary literature lyric Macmillan material means merely metrical mind modern moral narrative nature never novel novelist Olivia Paradise Lost passage perhaps picture play pleasure plot poem poet poetry present Psychology of Beauty purpose reader realize rhyme rhythm scene sense Shakespeare Shelley Shelley's significance sometimes sonnet sound speech spirit stanza story structure style suggested symbol things thought tion true truth unity Vanity Fair verse vision whole words Wordsworth writer