The Criticism of LiteratureMacmillan, 1928 - 397 sivua |
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Tulokset 1 - 3 kokonaismäärästä 85
Sivu 144
... writer . His creative power lies in his ability to combine . Similarly the author creates character on the basis of his actual experience . The character may be like no one that the writer has ever known or seen , but surely he is made ...
... writer . His creative power lies in his ability to combine . Similarly the author creates character on the basis of his actual experience . The character may be like no one that the writer has ever known or seen , but surely he is made ...
Sivu 189
... writer may be obscured in the process of putting it into words . Least pardonable are the fads and mannerisms and poses into which third and fourth rate writers so eas- ily fall . The reader who recognizes the presence of such ...
... writer may be obscured in the process of putting it into words . Least pardonable are the fads and mannerisms and poses into which third and fourth rate writers so eas- ily fall . The reader who recognizes the presence of such ...
Sivu 228
... writer must send his experience and his sense of the significance of that portion of human life which he has experienced over to the reader . What are the bridges between personality and personality which the writer of prose fiction ...
... writer must send his experience and his sense of the significance of that portion of human life which he has experienced over to the reader . What are the bridges between personality and personality which the writer of prose fiction ...
Sisältö
CRITICISM AND THE CRITIC | 1 |
LITERATURE AND THE AUTHOR | 30 |
INTELLECTUAL VALUE | 57 |
Tekijänoikeudet | |
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A. A. Milne æsthetic appeal Aristotle artist beauty biography century chapter character climax closet drama creative critic definite delight detail Dickens drama Dryden E. E. Cummings E. V. Lucas Elinor Wylie epic essay ethical expression fact familiar feeling free verse genius George give harmony human humor iambic pentameter idea images imagination instance intellectual value interest interpretation Jane Austen Keats Letty lines literary literature lyric Macmillan material means merely metrical mind modern moral narrative nature never novel novelist Olivia Paradise Lost passage perhaps picture play pleasure plot poem poet poetry present Psychology of Beauty purpose reader realize rhyme rhythm scene sense Shakespeare Shelley Shelley's significance sometimes sonnet sound speech spirit stanza story structure style suggested symbol things thought tion true truth unity Vanity Fair verse vision whole words Wordsworth writer