abode is dark. O thou who wast so great before! I compass thy grave with three steps. 7. Thou wast, not long since, what I am now, one of the actors in this passing scene. I lent a pitying ear to all thy sighs, and my heaving bosom beat responsive to thy sad complaints. My tears were mingled with thine in the hour of affliction; and, when joy brightened thy countenance, my heart felt a kindred pleasure. I sat with thee, or walked by the way, and held sweet converse. My soul was knit to thee by the ties of cordial amity and soft endearment. Thou hast now left me to mourn the loss of thee in pensive silence. I drop the tender tear on thy hallowed grave, and bid thy sacred ashes rest in peace. I shall join thee in thy dark abode erelong, thy companion in the dust, till we be called forth to stand in our lot in the end of days. I was united to thee in life; I shall soon lie in the same cold arms of death; and (O transporting thought!) we shall rise together, to feel no more the agony of parting. SECTION III. VARIETY OF ARRANGEMENT (continued). Change the following passages of poetry into prose, making such alterations, both in arrangement and in structure, as the meaning and harmony of the sentences require : EXAMPLE. A solitary blessing few can find; Our joys with those we love are intertwin'd; Th' obstructing thorn which wounds the friend he loves, But scatters roses to adorn his own. Few can find a solitary blessing; our joys are entertwined with those whom we love; and he, whose wakeful tenderness removes the thorn which wounds his friend, not only smooths the rugged path of another, but scatters roses to adorn his own. EXERCISES. 1. Heav'n gives us friends to bless the present scene 2. All evils natural are moral goods; Never man was truly blest, 3. Riches are oft by guilt and baseness earn'd. Of bounteous Providence. 4. But yonder comes the powerful king of day, And sheds the shining day, that burnish'd plays 5. No radiant pearl, which crested fortune wears, 6. Fear not when I depart; nor therefore mourn That soul which gave me life was seen by none, 7. But most by numbers judge a poet's song; And smooth or rough, with them is right or wrong; In the bright muse, though thousand charms conspire, For, from the imperial dome, to where the swain But spare, O Time, whate'er of mental grace, Whate'er of fancy's ray or friendship's flame is mine. ઈ SECTION IV. EXPRESSION OF IDEAS. Let the Pupil express the ideas contained in the following passages, in sentences of his own construction and arrangement : EXAMPLE. When a man says, in conversation, that it is fine weather, does he mean to inform you of the fact? Surely not; for every one knows it as well as he does. He means to communicate his agreeable feelings. Almost every one whom you meet by the way begins the conver sation by remarking, "It is a fine day." But when he does so, it is not because he supposes the fact known to him and not to you; he is merely giving expression to those agrecable feelings which the fineness of the weather excites. EXERCISES. 1. The private path, the secret acts of men, 2. Listen to the affectionate counsels of your parents; treasure up their precepts; respect their riper judgment; and enjoy, with gratitude and delight, the advantages resulting from their society. Bind to your bosom, by the most endearing ties, your brothers and sisters; cherish them as your best companions, through the variegated journey of life; and suffer no jealousies and contentions to interrupt the harmony, which should ever reign amongst you. 3. Nature expects mankind should share The duties of the public care. Who's born to sloth ? To some we find Each proves to all a needful friend. 4. Common reports, if ridiculous rather than dangerous, are best confuted by neglect. Seriously to endeavour a confutation, gives a suspicion of somewhat at bottom. Fame has much of the scold: you silence her, if you be silent yourself. She will soon be out of breath with blowing her own trumpet. 5. As two young bears, in wanton mood, Forth issuing from a neighb'ring wood, Came where the industrious bees had stored, Alarm'd at this, the little crew The unequal combat, quit the plain; That pleasure's ever bought with pain. 6. That no man can promise himself perpetual exemption from suffering, is a truth obvious to daily observation. Nay, amid the shiftings of the scene in which we are placed, who can say that for one hour his happiness is secure? The openings through which we may be assailed are so numerous and unguarded, that the very next moment may see some messenger of pain piercing the bulwarks of our peace. Our body may become the seat of incurable disease: our mind may become a prey to unaccountable and imaginary fears: our fortune may sink in some of those revolutionary tempests, which overwhelm so often the treasures of the wealthy: our honours may wither on our brow, blasted by the slanderous breath of an enemy: our friends may prove faithless in the hour of need, or they may be separated from us for ever: our children, the fondest hope of our hearts, may be torn from us in their prime; or they may wound us still more deeply by their undutifulness and misconduct. Where then, in this uncertainty of worldly blessings, is the joy on earth, in which thou canst repose thy confidence? or what temporal defence canst thou rear against the inroads of adversity? SECTION V. EXPRESSION OF IDEAS (continued). Let the Pupil abridge the following passages, expressing the ideas in sentences of his own construction and arrangement : |