Made visionary fabrics round them rise, Of Gothic structure was the Northern side, NOTES. "In the deep windings of the grove, no more Nor bids the noise of drums and trumpets swell, Or chase the shade that blots the blazing orb of noon." 105 110 115 120 MINSTREL.-Warton. Ver. 107. Confucius stood,] Congfutzee, for that was his name, flourished about two thousand three hundred years ago, just before Pythagoras. He taught justice, obedience to parents, humility, and universal benevolence : and he practised these virtues when he was a first minister, and when he was reduced to poverty and exile. His family still exists in China, and is highly honoured and respected.-Warton. Ver. 110. Egypt's priests, &c.] The learning of the old Egyptian priests consisted for the most part in geometry and astronomy: they also preserved the history of their nation. Their greatest hero upon record is Sesostris, whose actions and conquests may be seen at large in Diodorus, &c. He is said to have caused the kings he vanquished to draw him in his chariot. The posture of his statue, in these verses, is correspondent to the description which Herodotus gives of one of them, remaining in his own time.-P. Ver. 119. Of Gothic structure was the Northern side,] The architecture is agreeable to that part of the world. The learning of the northern nations There huge Colosses rose, with trophies crown'd, And Odin here in mimic trances dies. There on rude iron columns, smear'd with blood, 125 The horrid forms of Scythian heroes stood, Druids and Bards (their once loud harps unstrung), 130 NOTES. lay more obscure than that of the rest. Zamolxis was the disciple of Pythagoras, who taught the immortality of the soul to the Scythians. Odin, or Woden, was the great legislator and hero of the Goths. They tell us of him, that, being subject to fits, he persuaded his followers, that during those trances he received inspirations, from whence he dictated his laws he is said to have been the inventor of the Runic characters.-P. : This rude nation had great ideas. When Alaric their king was buried in Calabria, 410, they turned the course of the river Vasento, where it was most rapid; and having dug a very deep grave in this river's bed, there interred their revered prince, with many rich suits of armour, and much gold and precious stones. They then turned the river back into its usual course, and killed on the spot all that had assisted at this work, that the place of his interment might never be discovered.-Warton. Ver. 122. Runic characters] The Gothic mythology, by being more nobly wild, is more affecting to the imagination than the classical. The magicians of Ariosto, Tasso, and Spenser, have more powerful spells than those of Apollonius, Seneca, and Lucan. The enchanted forest of Ismeno is more poetical than even the grove, which Cæsar, in Lucan, orders to be cut down, b. iii. v. 400. What a group of dreadful images do we meet with in the Edda! Hence are drawn those thrilling numbers which Gray has given us in his Descent of Odin.-Warton. I cannot admit that the Gothic mythology is, in general, so nobly wild, as Dr. Warton represents it. That it is gloomy, terrific, and in parts highly poetical, is very true; but there is a ludicrousness in many of its images, and a littleness, instead of that grandeur which is essential to the higher species of poetry. The story of Thor and the Cat, and many other of his extraordinary feats, are far from being "nobly_wild." must, however, except the sublime description in the Edda, of the "Twilight of the Gods, and Surtur the Black Angel." Such a mixture of wild ideas is common in the superstitions of all rude nations. The Northern superstitions can be traced, I believe, clearly to the East.– Bowles. I Ver. 127. Druids and Bards, &c.] These were the priests and poets of those people, so celebrated for their savage virtue. Those heroic barbarians accounted it a dishonour to die in their beds, and rushed on to certain death in the prospect of an after-life, and for the glory of a song from their bards in praise of their actions.-P. In ranks adorn'd the Temple's outward face; 135 The Temple shakes, the sounding gates unfold, 140 As heav'n with stars, the roof with jewels glows, And ever-living lamps depend in rows. Full in the passage of each spacious gate, 145 The sage Historians in white garments wait; Grav'd o'er their seats the form of Time was found, His scythe revers'd, and both his pinions bound. - And his horn'd head bely'd the Libyan God. NOTES. 150 Ver. 147. The sage Historians, &c.] The white garments are suitable emblems of pure purpose and undecorated truth; veritatis non fucate; for which we seem to want an elegant appropriate term in our language.— Wakefield. : Ver. 152. The Youth that all things but himself subdu'd;] Alexander the Great the Tiara was the crown peculiar to the Asian princes: his desire to be thought the son of Jupiter Ammon, caused him to wear the horns of that god, and to represent the same upon his coins; which was continued by several of his successors.-P. Ver. 154. bely'd the Libyan God.]" Bely'd the God," are expressions from Dryden : Ver. 132. A dragon's fiery form "bely'd the God." IMITATIONS. The wall in lustre, &c.] St. Cecilia's Ode.-Bowles. "It shone lighter than a glass, There Cæsar, grac'd with both Minervas, shone ; And scarce detested in his Country's fate. 155 165 But chief were those, who not for empire fought, NOTES. 170 Ver. 155. The greatest panegyric that ever Alexander and Cæsar met with, is from Lord Bacon, in the Advancement of Learning, b. i. p. 75, first edition.-Warton. Ver. 161. Epaminondas stood ;] “ In other illustrious men you will observe that each possessed some one shining quality, which was the foundation of his fame in Epaminondas all the virtues are found united; force of body, eloquence of expression, vigour of mind, contempt of riches, gentleness of disposition, and, what is chiefly to be regarded, courage and conduct in war."-Diodorus Siculus, lib. xv.-Warton. Ver. 162. Timoleon, glorious in his brother's blood;] Timoleon had saved the life of his brother Timophanes in the battle between the Argives and Corinthians; but afterwards killed him when he affected the tyranny, preferring his duty to his country to all the obligations of blood.-P. Ver. 162. Timoleon, glorious] Mr. Harte told me, our author had once intended to write an epic poem on the story of Timoleon; and it is remarkable that Dr. Akenside had the same design; he hints at it himself in the last stanza of the thirteenth ode, b. i. on Lyric Poetry: “But when from envy and from death to claim, A hero bleeding for his native land; When to throw incense on the vestal flame Conscious of powers she never knew, Astonish'd grasps at things beyond her view, Nor by another's fate submits to be confin'd." He told me himself that the last line alluded to the Leonidas of Glover.-Warton. He whom ungrateful Athens could expel, At all times just, but when he sign'd the Shell: But in the centre of the hallow'd choir, NOTES. 175 Ver. 172. He whom ungrateful Athens, &c.] Aristides, who for his great integrity was distinguished by the appellation of the Just. When his countrymen would have banished him by the Ostracism, where it was the custom for every man to sign the name of the person he voted to exile in an Oyster shell; a peasant, who could not write, came to Aristides to do it for him, who readily signed his own name.-P. Ver. 174. martyr'd Phocion] Who, when he was about to drink the hemlock, charged his son to forgive his enemies, and not to revenge his death on those Athenians who had decreed it.-Warton. Ver. 178. But in the centre of the hallow'd choir, &c.] In the midst of the Temple, nearest the throne of Fame, are placed the greatest names in learning of all antiquity. These are described in such attitudes as express their different characters: the columns on which they are raised are adorned with sculptures, taken from the most striking subjects of their works; which sculpture bears a resemblance, in its manner and character, to the manner and character of their writings.-P. Ver. 178. But in the centre] The six persons Pope thought proper to select as worthy to be placed on these pillars as the highest seats of honour, are Homer, Virgil, Pindar, Horace, Aristotle, and Tully. It is observable that our author has omitted the great dramatic poets of Greece. Sophocles and Euripides deserved certainly an honourable niche in the Temple of Fame, as much as Pindar and Horace. But the truth is, it was not fashionable in Pope's time, nor among his acquaintance, attentively to study these poets. By a strange fatality they have not in this kingdom obtained the rank they deserve amongst classic writers. We have numberless treatises on Horace and Virgil, for instance, who in their different kinds do not surpass the authors in question, whilst hardly a critic among us has professedly pointed out their excellencies. I own I have some particular reasons for thinking that our author was |