Artists, Performers, and Black Masculinity in the Haitian Diaspora

Etukansi
Indiana University Press, 27.6.2008 - 300 sivua

Jana Evans Braziel examines how Haitian diaspora writers, performance artists, and musicians address black masculinity through the Haitian Creole concept of gwo nègs, or "big men." She focuses on six artists and their work: writer Dany Laferrière, director Raoul Peck, rap artist Wyclef Jean, artist Jean-Michel Basquiat, drag queen performer and poet Assotto Saint, and queer drag king performer Dréd (a.k.a. Mildréd Gerestant). For Braziel, these individuals confront the gendered, sexualized, and racialized boundaries of America's diaspora communities and openly resist "domestic" imperialism that targets immigrants, minorities, women, gays, and queers. This is a groundbreaking study at the intersections of gender and sexuality with race, ethnicity, nationality, and diaspora.

 

Sisältö

Haitis Transnational Politics of Big Manism
1
Dany Laferrière le Nègre and the Late Capitalist American Racial Machine désirante
25
Transnational Regimes ofViolence Duvalierism and Failed Heteromasculinity in Raoul Pecks Haitian Corner
59
Assotto Saints Drag Queen BluesQueening the Homeland Queer Fisting the Dyaspora
85
Dréd Performing Black FemaleMasculinities in Haitis Tenth Department
114
5 Rara Rap Haiti Wyclef Jeans Chante pwen Embattled Black Masculinity and Diasporic Remix as Political Protest
143
JeanMichel Basquiats Black Canvas Bodies and Urban VodouArt in Manhattan
174
Presidential Politics Haitis Gwo Nègs and Diasporic Cultural Production as Transnational Political Protest
203
Notes
211
Selected Bibliography
259
Index
293
Back cover
305
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Tietoja kirjailijasta (2008)

Jana Evans Braziel is Assistant Professor of English and Comparative Literature at the University of Cincinnati and author of Diaspora: An Introduction and "Caribbean Genesis": Jamaica Kincaid and the Writing of New Worlds.

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