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Fayre Sir, I let you weee.-] If the reader will at his leifure compare this and the following stanza with what is faid of Clarinda in Taffo, ii. 39, 40. Of Camilla in Virgil, vii. 803. And of Afbyte in Silius, Ital. ii. 68. he may fee f me plain imitations. However unnatural fighting ladies and heroines appear in plain profe, yet they make no unpoetical figure, when fet off with a lively imagination: and yet old Homer admits no earthly females to mingle in battle among the Greeks and Trojans.

VIII.

Which to prove, I this voyage have begonne.] So the 1ft quarto with better accent, and more poetical, I think, than the 2d quarto and Folio's, which I to prove-The beginning with a trochee makes the accent fall ftronger on I.-In this stanza are two words, both spelt the fame, and yet different in fignification, which are made to rhyme to one another, according to the licence of the old poets, doe wonne, do dwell: may be wonne, i. e. acquired.

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The noble corage never weeneth ought
That may unworthy of itfelfe be thought.] The noble
mind never entertains a thought unworthy of it-
felf. Corage is used for heart or mind, often by
our poet, as well as by Chaucer. Vir bonus, non
modo facere, fed ne cogitare quidem quidquam aude-
bit, quod non audeat praedicare. Cic. Off. L. iii.
This is the greatest inftance of that self-reve-
rence, which every honest man pays to his own
mind: Πάντων δὲ μάλις ̓ ἀισχύνεο σαυτ ν was the
Pythagorean precept: indeed this is the highest
ftate of moral freedom; namely, to have it in
our power to give a final answer to perturbed
paffions, and to controul evil phantafms, and
to check unworthy thoughts: these are the
monsters which the goodly knights are expel-
ling from Fairy land.-By the bye does not
Milton bring God too much down from hea-
ven to earth, when he introduces Adam thus
difcourfing to Eve? V. 117.

Evil into the Mind of God, or man,
May come and go, fo unapprovd, and leave
No Spot or blame.—

For evil in no fhape or guize approaches the divine mind: fhould we not correct the context, and thus read?

Evil into the mind of GODS, or man-

Gods, for the angelical order is frequently used in fcripture and the correction is fo eafy, that I believe Milton thus intended it.

XI.

The loving mother that nine months did beare.Her tender babe.] Perhaps he had in view the following, A woman when he is in travail, hath her forrow-but as foon as he is delivered of the child, she remembreth no more the anguish; for joy that a man is born into the world, John xvi. 21.

XII.

However, Sir, ye fyle your tongue.-] See note on B. i. C. 1. St. 35.

XIII.

Let bee therefore my vengeance to diffwade.] Let bee, let alone; omit. Let be thy deep advise, B. ii.

C. 3.

C. 3. St. 16. So too B. ii. C. 6. St 28. Matth.
xxvii. 49. Let be, let us fee, whether Elias will
come to fave him. Dryden has very judiciously
and expreffively ufed this old phrafe in his
well-told tale of Theodore and Honoria,

-Let be, faid he, my prey,
And let my vengeance take the deftin'd way.
XV.

For pleafing words are like to magick art

Illi autem ego obvius ibo etiamfi igni vi manûs fimilis
est,

Si igni vî manûs fimilis eft, animoque rutilo ferro.
Hom. ll. xx. 37I.

-ἅτε παρθένος ηϊθεός τε,
Παρθένος θεός τ ̓ ἐαρίζετον ἀλλήλοισιν,
-Ceu virgo juvenifq;

Virgo juvenifque confabulantur inter fe.

ὁ μὲν ἔμπεδον ἡντόχευεν,

II. xxii. 127.

That doth the charmed fnake in flomber lay.] See
note on B. i. C. 2. St. 34. The allufion is to Εμπεδον ηνιόχεν, ὁ δ ̓ ἄρα μάτιγι κέλευεν.
the magicians, who boaft their power over fer-
pents.

Frigidus in pratis contando rumpitur anguis.
Virg. Ecl. viii. 71.
Vipereas rumpo verbis & carmine fauces.
Ov. Met. vii. 203.
To this pretended power of magick the Pfal-
mift alludes where he mentions the deaf adder,
that refufes to hear the voice of the charmer, charm
he never fo wifely. And from this paffage of the
Pfalmift is to be explained what Samfon fays in
Milton,

So much of adders wisdom I have learnt
To fence my ear against thy forceries.

Ibid.

Yet lift the fame efforce with faind gainfay:
So difcord ofte in mufick makes the fweeter lay.] Per-
haps he wrote enforce.-what he adds of dif-
cords in mufick, feems tranflated from a fayiug
of Heraclitus, who compared the difagreeing
elements, and phyfical and moral evils, in this
world, to difcords in mufick; 'tis from these
difcords rightly attempered, that the greatest
harmony arises. See Ariftot. Ethic. L. viii. C. I
ἐκ τῶν διαφερόντων καλλίςην ἁρμονίαν.
XVI. XVII.

All which the red-crofle knight to point ared,
And him IN EVERIE POINT bafore her fashioned.
Yet him IN EVERIE PART before she knew.] This
is the reading of the Folio's. But I have fol-
lowed the more authentic, the two old quarto
editions the line above to point ared, feems to
have caught the printer's eye. This repeti-
tion (And him in everie part before her fashioned,
yet him in everie part before she knew) is frequent
in our poet, as we shall fee hereafter. But firft
I would obferve that 'tis likewife the practife of
the best poets to repeat the very fame words,
either for the fake of emphafis, pathos, or cor-
rection.

ΤΕ δ ̓ ἐγὼ ἄντιος εἶμι, καὶ ἐν πυρὶ χεῖρα Γέοικεν,
Εν πυρὶ χεῖρα Γεοιχε, μένος δ' ἄνθων, σιδήρω.

-alter quidem conflanter equos regebat,
Conflanter equos regebat, alter vero fcutica inftabat.
Il. xxiii 641
Ille, velut pelagi rupes immota, refiftit;
Ut pelagi rupes-

Virg. vii. 586. Thus the Son of God in Milton iii. 153. emphatically, and from fcripture language likewife, fee Gen. xviii. 25.

That be from thee far,

That far be from thee, Father.
Presently after God fays of Man-
Upheld by me, yet once more he shall stana
On even ground against his mortal foe :
By me upheld-

I will mention another paffage which Dr.
Bentley misunderstood, iv. 110.
Evil be thou my good; by Thee at least
Divided empire with heav'ns king I hold,
By Thee, and more than half perhaps will reign,
As man ere long, aud this new world shall know.
Let me add, that this verfe divided empire with
heav'ns king I hold, is tranflated from that
known verfe of Virgil,

Divifum imperium cum Jove Caefar kabet.

But

Obferve too here that elegant mixture of tenfes.
-BY THEE, viz. Evil, I do now hold. BY THEE,
and perhaps will reign more than half, &c.
to give more convincing inftances of the beau-
ty of this repetition-I faid unto the ungodly, Set
not up your horn. Set not up your horn on bigh,
and speak not with a stiff neck. Pfal. Ixxv. 5. Í
will mock when your fear cometh. When your fear
cometh as defolation, Prov. i. 26. Sometimes this
repetition is for the fake of perfpicuity, as the
following in Milton ii. 910, 917.

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In thefe verfes of Milton there is a ouyxvos, which Spenfer often ufes; The wary fiend pondering his voyage into this wild abyfs, &c. Inftances of this kind of repetition, with correction, are to be met with in B. i. C. 2. St. 44, 45. And B. i. C. 4. St. 8, 9. both which places I have taken notice of. I will here add fome other inftances, and the reader may fupply the reft if he chooses: 'tis obfervable that this repetition our poet often makes at the close of one Stanza and at the beginning of the other.

And watch the noyous night, and wait for joyous day. The joyous day gan early to appeare,

B. i. C. 11. St. 50, 51. So faire and fresh that lady fhewd herfelfe in fight: So faire and fresh, as fresheft flowre in May; B. i. C. 12. St. 21, 22.

That the words might exactly correfpond, which is usual; perhaps our poet wrote the following verfes after this manner,

Oft had he feene her faire, but ne'er so fairely dight.
So fairely dight when she in prefence came,
B. i. Č. 12. St. 23, 24.
In which was nothing pourtrahed nor wrought;
Not wrought nor pourtrahed, but eafie to be
thought:
B. ii. C. 9. St. 33.
Out of his wavering feat him pluckt perforse,
Perforfe him pluckt, and laying thwart her horfe-
B. iii. C. 7. St. 43.
Thy name, o foveraine queene, to blazon far

away.

race,

Thy name, o foveraine queene, thy realme and
B. ii. C. 10. St. 3, 4.
And fmote him on the knee that never yet was bent.
It never yet was bent, ne bent it now.
B. vi. C. 8. St. 16.

XVIII.
As it in BOOKS hath written beene of old,] So in
B. iii. C. 6. St. 6.

As it in antique BOOKES is mentioned.
And in B. iv. C. 11. St. 8, and St. 10.

-as we in RECORDS read)

What bookes and records are thefe? These are the Bookes (mentioned in B. ii. C. 9. St. 40.) containing the antiquities of Fairy land: thefe are the antique rolles and volumes, Of Faerie knights and fayreft Tanaquill.

Introduction, B. i. St. 2. See too B. iii. C. 3. St. 4. and B. iv. C. xi.

St. 4.

-Thofe ROLLES layd up in heaven above,

And RECORDS of antiquitie― To which no wit of man may comen neare ; As Boyardo and Ariofto often refer to Archbifhop Turpin, to authenticate their wonderful tales; fo our poet refers to certain BOOKES, RECORDES OF ROLLES. Juft in the fame manner Cervantes in his Don Quixote (where we find perpetual allufions to Boyardo, Ariofto, and the romance writers) pleasantly endeavours to make his ftories authentic, by fathering them upon one Cid Hamet an Arabian historiographer.

Ibid.

In Deheubarth, that now South-wales is hight, What time king Ryence raign'd and dealed right,] In Deheubarth, i. e. Southwales: for when Wales was divided into three principalities, the countries of the Sileures and Dimetæ were called

by the natives Deheubarth, and by the English South-wales.-King Ryence of Wales is very often mentioned in the History of Prince Arthur.

Ibid.

The great magitian Merlin had deviz'd, By his deepe fcience and bell-dreaded might, A looking-glaffe-] The poet juft hints at this ftory above, C. 1. St. 8. where he tells us Britomart had left her country, Britain, to seek Arthegall in Faery land,

Whofe image fhee had feene in Venus looking-glas. Meaning thofe talifmanick or magical looking glaffes, which had virtue in them to discover at any distance either perfons, or fecrets, or things to come. This art in Greek was called Karonpoμartia a divination by mirrours. A mirrour of like fort is mentioned in the Squires Tale in Chaucer. But perhaps our poet had his eye more particularly on the Episode in the Lufiad, by Luis de Camoens, Canto x. where Vafco de Gama is fhewn a globe, representing the univerfal frame or fabrick of the world, in which he faw future kingdoms and future events.

XX.

But who does wonder, that has red the towre,
Wherein th' Aegyptian Phao long did lurke
From all mens vew, that none might her difcoure,
Yet he might all men verv out of her bowre?
Great Ptolomae it for his lemans fake
Ybuilded all of glaffe, by magicke powre,
And alfo it impregnable did make;

Yet when his love was falfe he with a peaze it brake.] Great Ptolomae, fo the old quartos and folios : in Hughes, Great Ptolemy: 'tis not improbable that Spenfer gave it Great Ptolomee: meaning perhaps Ptolomy Philadelphus. The ftrange

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ftory here told, Spenfer perhaps had from the travellers in Q. Elizabeth's reign: and this will appear from Sandys' account of the prefent ftate of Alexandria,Of antiquities there are few ' remainders, only an hieroglyphicall obelifk of Theban marble, as hard well-nigh as Porphyr, but of a deeper red and fpeckled alike, 'called Pharos Needle, ftanding where once ftood the palace of Alexander; and another lying by, and like it, half buried in rubbige. Without the walls on the fouth-weft fide of the city [Alexandria] on a little hill stands a columne of the fame, all of stone, 86 palmes high, and 36 in compaffe, the palme confifting ' of 9 inches and a quarter, according to the measure of Genoa, as meafured for Zigal Baffa by a Genoese; fet upon a fquare cube, and which is to be wondered at, not halfe fo large as the foot of the pillar; called by the • Arabians Hemadeflaeor, which is the column of the Arabians. They tell a fable, how that

' one of the Ptolomies erected the fame in the

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<furtheft extent of the haven, to defend the city 'from navall incurfions, having placed A MAGICALL GLASSE OF STEELE on the top, of • vertue (if uncovered) to fet on fire fuch fhips as failed by: but fubverted by enemies, the glaffe loft that power, who in this place re-erected the column: but by the western 'Chriftians it is called the pillar of Pompey; and is faid to have been reared by Cæfar as a ' memorial of his Pompeyan victory.' Let me add likewise the following account, which I have transcribed from A defcription of Africa by John Leo, a More, tranflated by John Pory. Six miles weftward of Alexandria, among certaine ancient buildings, ftandeth a pillar of a won'derfull height and thickneffe, which the Ara'bians call Hemadaan, that is to fay, the pil'lar of trees of this pillar there is a fable reported that Ptolomey one of the kings of Alexandria built it upon an extreme point of land, ftretching from the haven; whereby to the end he might defend the city from the invafion of foreign enemies, and make it invincible, he placed a certaine fteel-glaffe upon 'the top thereof, by the hidden vertue of which glaffe as many fhips as paffed by, while the glafs was uncovered, fhould immediately be fet on fire; but the faid glaffe being broken by the Mahumetans, the fecret virtue thereof ⚫ vanished, and the great pillar whereon it stood ' was removed out of the place. But this is a moft ridiculous narration and fit only for 'babes to give credit unto.' The fame kind of ftory is told of Hercules, that he erected pillars at cape Finifter, on the top of which he

I

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XXV.

His creft was covered with a couchant hound] I for-
merly faid that Arthur Lord Grey of Wilton
was imaged in Arthegall, which name corre[-
ponds to his Chriftian name Arthur, and means
Arthur's peer-The arms here likewife feem de-
vised in allufion to his name, Gray: fuch bear-
ings (the heralds fay) are very ancient, and are
called Rebuffes. For Grifeum in the barbarous
Latin age fignified fine furr or ermin. Gall.
Gris.

I fee his fleeves purfiled at the hand
With GRYS

Ch. Prol. to the Canterb. Tales.
And on his field envelop'd fevenfold
He bore a crowned little ermilin,
That deckt the azure field with her fayre pouldred skin.
i. e. the field was azure and the powdering
fable: the field was azure, because azure figni-
fies loyalty, chastity, and fidelity; which virtues
eminently fhine in Arthegall. The creft likewise
of the knight's helmet is a GRAY hound, cou-
chant. But of this imaging the knights of
Queen Elizabeth's court under the fictitious
names of Fairy Knights, I have spoken already
in the preface. 'Tis in this ftanza faid, that
Arthegall won and wore the arms of Achilles.
The poet does not give any hint, how he won
them: perhaps this circumftance might have
been cleared up in fome fubfequent canto : but
as the poem is not finished, several minuter cir-
cumftances must be unfinished likewise. The
proper place to have told this ftory feems in the
Vth. Book, containing the legend of Arthegal.
In Boyardo, Orl. Innam. L. iii. Mandricardo
wins the arms of Hector; and to this ftory
Ariofto alludes, Orl. Fur. xiv. 30, 31. And
as Mandricardo a Sarazin wins the arms of
Hector a Trojan, from which Trojans de-
fcended Charles the Great and prince Arthur;

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One night when he was toft with fuch unrest,
Her aged nourje, whose name was Glauce hight-]
Spenfer having here a story to tell of his own,
takes and leaves, what likes him beft, from
other authors.-Glauce was the mother of Di-
ana: Dianae autem plures-tertiae pater, Upis tra-
ditur, Glauce mater, Cicero de Nat. Deor. iii. 23.
And Carme was the mother of Britomart.
Paufanias, Διὸς δὲ καὶ Κάρμης τῆς Ευβάλα Βριτόμαρτιν
Yerioda. But the author of the poem named
Ciris, which paffes under Virgil's name, varies
from Paufanias,

Quam fimul Ogygii Phoenicis filia Carme
Surgere fenfit anus-

Corripit extemplo feffam languore puellam ;
Et fimul, o nobis facrum caput, inquit, alumna:
Non tibi nequidquam viridis per vifcera pallor
Aegrotas tenui juffudit fanguine venas.
These verses Spenfer has plainly imitated,
Betwixt her feeble arms her quickly keight,
Corripit extemplo-

Ah my dearest dread, O nobis facrum caput. See note on Introd. to B. i. St. 4.

For not of nought theje fuddein ghaftly feares- i. e. for 'tis not for nothing, &c. Non tibi nequidquam→

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Ibid.

Like an buge Aetn' of deepe engulfed gryefe.] 'Tis a proverbial expreffion. Aetna malorum. Onus Aetna gravius.

Ayios montes, Aetnae omnes, afperi Athomes.
Lucil. apud A. Gell. xvi. C. 9.
Sofpirando piangea tal, ch' un ruscello
Parean le guance, E'L PETTO UN MONGIBELLO.
Ariofto, i. 40.
XXXIV.

And her faire dewy eyes-] Virg. ver. 253.
Dulcia deinde genis rorantibus ofcula figens,
Profequitur miferae caufas exquirere tabis.
XXXV.

Ah nurfe, what needeth thee to eke my payne!
be blotted out, 'tis an error of the prefs. See
Is [it] not enough that I alone doe dye.] ́ It should
note on B. i. C. 9. St. 38.

Illa autem, quid nunc me, inquit, nutricula torques? Virg. Cir. ver. 257•

prefently after,

That blinded god, which hath ye blindly fmit, perhaps the printer miftook the abbreviation; and he fhould have printed it thee

XXXVI.

But mine is not, quoth fhe, like other wound.] So the first edition, but other editions, others:

Non ego confueto mortalibus uror amore.
Ibid.

But reither god of love, nor god of Skye

Can doe, faid fhe that which cannot be done.] God of Skye, Zeus &gános, Jupiter aethereus. He cannot doe impoffibilities and contradictions.

XXXVII.

For No, no ufuall fire, no ufuall rage

Yt is, o nurse, which on my life doth feed.] It is not improbable but the poet gave it,

For KNOW, no ufuall fire, &c. vodi, Scito, profectò, &c.

Nam nemo illorum quifquam, fcito, ad te venit. Terent. Hec. Act. 1. Sc. I. Upon fecond thoughts however 1 imagined it might be defended from the like repetition in Latin authors.

Non, non, fic futurum eft, non poteft

Terent. Phorm. Act. 2, Non, non, hoc tibi, falfe, fic abibit.

Catull. Carm. 14.

And

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