Essays, Political, Historical, and Miscellaneous, Nide 3 |
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Sivu 3
Master of immense information, thoroughly imbued at once with the learning of
classical and catholic times; gifted with a retentive memory, a poetical fancy, and
a painter's eye, he brings to bear upon every subject the force of erudition, the ...
Master of immense information, thoroughly imbued at once with the learning of
classical and catholic times; gifted with a retentive memory, a poetical fancy, and
a painter's eye, he brings to bear upon every subject the force of erudition, the ...
Sivu 22
... of study to the naturalist, and of meditation to the devout observer of creation.
Chateaubriand has painted, with his usual descriptive powers, one of the most
familiar of these examples— “What ingenious springs move the feet of a bird?
... of study to the naturalist, and of meditation to the devout observer of creation.
Chateaubriand has painted, with his usual descriptive powers, one of the most
familiar of these examples— “What ingenious springs move the feet of a bird?
Sivu 35
You can perceive neither summits nor the smallest peaks; only here and there
slight inequalities, as if the hand of the painter who traced the long lines on the
sky had occasionally trembled. “The chain on the eastern side forms part of the ...
You can perceive neither summits nor the smallest peaks; only here and there
slight inequalities, as if the hand of the painter who traced the long lines on the
sky had occasionally trembled. “The chain on the eastern side forms part of the ...
Sivu 44
He has made the whole Iliad, indeed, turn upon the wrath of Achilles for the loss
of Briseis; and he has painted, with inimitable tenderness and pathos, the
conjugal attachment of Hector and Andromache ; but he had no conception of
love as a ...
He has made the whole Iliad, indeed, turn upon the wrath of Achilles for the loss
of Briseis; and he has painted, with inimitable tenderness and pathos, the
conjugal attachment of Hector and Andromache ; but he had no conception of
love as a ...
Sivu 45
Homer painted with graphic fidelity and incomparable force, often with
extraordinary beauty, the appearances of nature; but it was as illustrations, or for
the purpose of similitude only that he did so. It was on human events that his
thoughts were ...
Homer painted with graphic fidelity and incomparable force, often with
extraordinary beauty, the appearances of nature; but it was as illustrations, or for
the purpose of similitude only that he did so. It was on human events that his
thoughts were ...
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admirable amidst ancient appear arms army beauty become British brought cause century character classes consequence continued decline direct drama effect efforts elevated empire England English entirely equally established Europe evils existence fact feelings felt followed force foreign France French genius give greatest hand heart highest human hundred ideas imagination important impression increase industry influence interest Italy labour land least less light manners means mind nature never noble object observation once opinion original painting party passions period persons picture political present principles produced provinces race reason rendered respect rich Roman Rome ruin scenes seen side society spirit stage success suffering taken thing thought thousand tion trade true truth universal vast wealth whole writers