 | William Wordsworth, Samuel Taylor Coleridge - 2003 - 356 sivua
...sails dropt down, Twas sad as sad could be; And we did speak only to break The silence of the sea! All in a hot and copper sky, The bloody Sun, at noon,...a painted ship Upon a painted ocean. Water, water, everywhere, 120 And all the boards did shrink; Water, water, everywhere, Nor any drop to drink. The... | |
 | Thomas Carper, Derek Attridge - 2003 - 184 sivua
...join the angelic strain. 5. From Samuel Taylor Coleridge's "The Rime of the Ancient Mariner" (1 798 )' All in a hot and copper sky, The bloody Sun, at noon,...bigger than the Moon. Day after day; day after day, 5 We stuck, nor breath nor motion; As idle as a painted ship Upon a painted ocean. Water, water, every... | |
 | Barry Spurr, Lloyd Cameron - 2000 - 332 sivua
...on the mariner and his shipmates as the world of ice and snow is replaced by that of searing heat: All in a hot and copper sky, The bloody Sun, at noon,...above the mast did stand, No bigger than the Moon. This realistic and vividly visual image is also symbolic, as the sun is representative of God, but... | |
 | Charles Cockell - 2003 - 212 sivua
...crew observing, but for the most part powerless, to influence the course on which they are heading, Day after day, day after day. We stuck, nor breath nor motion-, As idle as a painted ship Upon a painted ocean But in an instant; And now the storm-blast came, and he Was tyrannous and strong: He... | |
 | Tony Horwitz - 2003 - 500 sivua
...white foam flew, The furrow followed free; We were the first that ever burst Into that silent sea. Day after day, day after day, We stuck, nor breath nor motion: As idle as a painted ship, Upon a painted ocean. It was my turn to read. I'd brought excerpts from English diaries in which Cook's... | |
 | Jack Williams - 2003 - 366 sivua
...started going wrong. The disasters included the ship becoming becalmed in the tropics where there was: Water, water, every where, And all the boards did...Water, water, every where, Nor any drop to drink. Coleridge's poem is based, in part, on the old sailor's legend that seeing an albatross means fog or... | |
 | Joseph Conrad - 2003 - 200 sivua
...motionless as a model ship . . . polished marble: cf. 'The Rime of the Ancient Mariner', 11. 115-18: 'Day after day, day after day, | We stuck, nor breath nor motion; | As idle as a painted ship | Upon a painted ocean.' 64 The watch finished washing decks: that is, the man on watch. 65 an extraordinary... | |
 | Ben Pester - 2004 - 304 sivua
...tropics which worsened their torment. The famous lines could have been written for both predicaments: Day after day, day after day, We stuck, nor breath nor motion; As idle as a painted ship Upon a painted ocean. I looked upon the rotting sea, And drew my eyes away; I looked upon the rotting deck,... | |
 | Stephen J. Lyons - 2004 - 204 sivua
...can answer that I have heard of it, sort of, he looks out at the river, closes his eyes, and begins: "Water, water, every where, / And all the boards did...Water, water, every where, / Nor any drop to drink. ..." When he finishes, we look at the river for a long time, watching it spill its banks, reaching... | |
 | Robert McNab - 2004 - 288 sivua
...are a focus of interest and seem interchangeable, as Coleridge had noted in The Ancient Mariner where "The bloody sun, at noon / Right up above the mast did stand / No bigger than the moon." Ernst frequently turned the discs of sun and moon into a ring. These sun rings resemble not only the... | |
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All in a hot and copper sky, The bloody Sun, at noon, Right up above the mast did stand, No bigger than the Moon. Day after day, day after day, We stuck, nor breath nor motion; As idle as a painted ship Upon a painted ocean. 
