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" ... vigorous; what is little is gay, what is great is splendid. He may be thought to mention himself too frequently; but while he forces himself upon our esteem, we cannot refuse him to stand high in his own. "
The Lives of the English Poets: cowley. Denham. Milton. Butler. Rochester ... - Sivu 252
tekijä(t) Samuel Johnson - 1858
Koko teos - Tietoja tästä kirjasta

Cowley (1618) to Burns (1759)

Sir William Robertson Nicoll, Thomas Seccombe - 1907 - 512 sivua
...is easy, nothing is feeble; though all seems careless, there is nothing harsh; and though since hie earlier works more than a century has passed, they have nothing yet uncouth or obsolete." After the heroic plays of Dryden, The Mourning Bride of Congreve and the Venice Preserved of Otway...

Composition and Style

Robert D. Blackman - 1908 - 328 sivua
...whole is airy, animated, and vigorous : what is little, is gay ; what is great, is splendid. Though all is easy, nothing is feeble ; though all seems careless, there is nothing harsh ; and though since the publication of his works more than a century has elapsed, yet they have nothing uncouth or obsolete.*...

The Poetical Works of John Dryden

John Dryden - 1909 - 1112 sivua
...bis own. Everything is excused by the play of images and the sprightliness of expression. Though all is easy, nothing is feeble; though all seems careless,...modes as may be easily noted. Dryden is always another ana the same ; he does not exhibit a second time the same elegances in the same form, nor appears to...

The Poetical Works of John Dryden

John Dryden - 1909 - 1122 sivua
...own. Everything is "icnaad bj^rim play nf imaga» nnd thf gprigbtlioes» of expreeeien. Though all is easy, nothing is feeble; though all seems careless, there is nothing harsh; and though since hia earlier works more than a century has passed, they have nothing yet uncouth or obsolete. " He who...

Readings in English Prose of the Eighteenth Century

Raymond Macdonald Alden - 1911 - 744 sivua
...his own. Everything is excused by the play of images and the sprightliness of expression. Though all is easy, nothing is feeble; though all seems careless,...same " ; he does not exhibit a second time the same elegancies in the same form, nor appears to have any art other than that of expressing with clearness...

Readings in English Prose of the Eighteenth Century

Raymond Macdonald Alden - 1911 - 754 sivua
...his own. Everything is excused by the play of images and the sprightliness of expression. Though all is easy, nothing is feeble; though all seems careless,...same " ; he does not exhibit a second time the same elegancies in the same form, nor appears to have any art other than that of expressing with clearness...

Readings in English Prose of the Eighteenth Century

Raymond Macdonald Alden - 1911 - 744 sivua
...his own. Everything is excused by the play of images and the sprightliness of expression. Though all is easy, nothing is feeble; though all seems careless,...same"; he does not exhibit a second time the same elegancies in the same form, nor appears to have any art other than that of expressing with clearness...

The Preface to the Fables

John Dryden - 1912 - 436 sivua
...his own. Everything is excused by the play of images and the spriteliness of expression. Though all is easy, nothing is feeble; though all seems careless,...passed, they have nothing yet uncouth or obsolete." These qualities, so admirably described by Dr Johnson, shine with undiminished lustre in the preface...

Life of Dryden

Samuel Johnson - 1913 - 220 sivua
...play of images and the spriteliness of expression. Though all is easy, nothing is feebliff~th~civigh all seems careless, there is nothing harsh ; and though,...is always another and the same, he does not exhibit 20 a second time the same elegances in the same form, nor appears to have any other than that of expressing...

A Book of English Literature, Selected and Ed, Nide 1

Franklyn Bliss Snyder, Robert Grant Martin - 1916 - 964 sivua
...Everything is excused by the play of images and the sprightliness of expression. Though all is [20 easy, nothing is feeble; though all seems careless,..."another and the same;" he does not exhibit a second [30 time the same elegances in the same form, nor appears to have any art other than that of expressing...




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