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" ... beauty should shun the right line, yet deviate from it insensibly; the great in many cases loves the right line; and when it deviates, it often makes a strong deviation: beauty should not be obscure; the great ought to be dark and gloomy: beauty should... "
The British Critic: A New Review - Sivu 500
1806
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Elements of Composition and Rhetoric: With Copious Exercises in Both ...

Virginia Waddy - 1889 - 432 sivua
...negligent: beauty should shun the right line, yet deviate from it insensibly; the great, in many cases, loves the right line, and when it deviates, it often makes a strong deviation ; beauty should not be obscure ; the great ought to be dark and gloomy: beauty should...

The Ridpath Library of Universal Literature ...: A Biographical and ..., Nide 4

John Clark Ridpath - 1898 - 544 sivua
...negligent ; Beauty should shun the right line, yet deviate from it insensibly. The Great, in many cases, loves the right line ; and when it deviates it often makes a strong deviation. Beauty should not be obscure ; the Great ought to be dark and gloomy. Beauty should...

The Harvard Classics, Nide 24

Charles William Eliot - 1909 - 470 sivua
...negligent ; beauty should shun the right line, yet deviate from it insensibly; the great in many cases loves the right line, and when it deviates it often makes a strong deviation : beauty should not be obscure ; the great ought to be dark and gloomy: beauty should...

On Taste: On the Sublime and Beautiful ; Reflections on the French ...

Edmund Burke - 1909 - 538 sivua
...negligent ; beauty should shun the right line, yet deviate from it insensibly ; the great in many cases loves the right line, and when it deviates it often makes a strong deviation : beauty should not be obscure ; the great ought to be dark and gloomy: beauty should...

Music and Aesthetics in the Eighteenth and Early Nineteenth Centuries

Peter le Huray, James Day - 1988 - 420 sivua
...negligent; beauty should shun the right line yet deviate from it insensibly; the great in many cases loves the right line; and when it deviates, it often makes a strong deviation: beauty should not be obscure; the great ought to be dark and gloomy: beauty should...
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Flesh and the Ideal: Winckelmann and the Origins of Art History

Alex Potts - 2000 - 310 sivua
...should shun the right line, yet deviate from it insensibly; the great [ie the sublime] in many cases loves the right line, and when it deviates, it often makes a strong deviation.' 17 This is not so say that the figure of Venus was entirely unproblematic, for it...
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The Sublime: A Reader in British Eighteenth-Century Aesthetic Theory

Andrew Ashfield, Peter de Bolla - 1996 - 332 sivua
...negligent; beauty should shun the right line, yet deviate from it insensibly; the great in many cases loves the right line, and when it deviates, it often makes a strong deviation; beauty should not be obscure; the great ought to be dark and gloomy; beauty should...
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The Insatiability of Human Wants: Economics and Aesthetics in Market Society

Regenia Gagnier - 2000 - 268 sivua
...negligent; beauty should shun the right line, yet deviate from it insensibly; the great in many cases loves the right line, and when it deviates, it often makes a strong deviation; beauty should not be obscure; the great ought to be dark and gloomy; beauty should...
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From the Erotic to the Demonic : On Critical Musicology: On Critical Musicology

Derek B. Scott Chair of Music University of Salford - 2003 - 270 sivua
...negligent; beauty should shun the right line yet deviate from it insensibly; the great in many cases loves the right line; and when it deviates it often makes a strong deviation: beauty should not be obscure; the great ought to be dark and gloomy: beauty should...
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The Emergence of Modern Architecture: A Documentary History from 1000 to 1810

Alexander Tzonis - 2004 - 554 sivua
...negligent; beauty should shun the right line, yet deviate from it insensibly; the great in many cases loves the right line, and when it deviates, it often makes a strong deviation; beauty should not be obscure; the great ought to be dark and gloomy; beauty should...
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