 | Wes Folkerth - 2002 - 168 sivua
...the same scene he accuses Rosencrantz and Guildenstern of spying on him, employing the same metaphor: You would play upon me, you would seem to know my...out the heart of my mystery, you would sound me from the lowest note to the top of my compass; and there is much music, excellent voice, in this litde organ,... | |
 | Herbert Blau - 2002 - 378 sivua
...side of the circle, turns and speaks into the space: JUL: Why, look you now, how unworthy a thingyou make of me! You would play upon me, you would seem...stops, you would pluck out the heart of my mystery. DEN: Seems, madam? Nay, it is. I know not "seems. " Julie's tone changes again, a green thought in... | |
 | William Shakespeare - 2002 - 214 sivua
...stops. Guildenstern But these cannot I command to any utterance of harmony. I have not the skill. Hamlet Why, look you now, how unworthy a thing you make of...me. You would play upon me, you would seem to know 350 my stops, you would pluck out the heart of my mystery, you would sound me from my lowest note to... | |
 | Wes Folkerth - 2002 - 164 sivua
...the same scene he accuses Rosencrantz and Guildenstern of spying on him, employing the same metaphor: You would play upon me, you would seem to know my stops, you would pluck out me heart of my mystery, you would sound me from the lowest note to me top of my compass; and mere is... | |
 | K. H. Anthol - 2003 - 344 sivua
...breath with your mouth, and it will discourse most excellent music. Look you, these are the stops. 376 Guil. But these cannot I command to any utterance...play upon me, you would seem to know my stops, you 380 would pluck out the heart of my mystery, you would sound me from my lowest note to the top of my... | |
 | Philip Auslander - 2003 - 488 sivua
...psychological complexity that he's not all there, spread out on the surface, like a modernist painting. ("You would play upon me; you would seem to know my...stops; you would pluck out the heart of my mystery," complains Hamlet to Rosencrantz and Guildenstern.) By contrast, Frank Stella affirmed his own commitment... | |
 | Johannes Brahms, Siegmund Levarie - 2003 - 396 sivua
...with your mouth, and it will discourse most eloquent music. Look, these are the stops. Guildenstern: But these cannot I command to any utterance of harmony; I have not the skill. Hamlet: Why, look you know, how unworthy a thing you make of me. You would play upon me; you would... | |
 | Mary Anneeta Mann - 2004 - 230 sivua
...sound out Hamlet. The scene ends with Hamlet's emotional plea concerning the duplicity of their method: How unworthy a thing you make of me! you would play...stops; you would pluck out the heart of my mystery; . . . and there is much music, excellent voice in this little organ, yet cannot you make it speak.... | |
 | William F. Bynum, Roy Porter, Michael Shepherd - 2003 - 352 sivua
...your mouth, and it will discourse most eloquent music. Look you, these are the stops. Guildenstern: But these cannot I command to any utterance of harmony, I have not the skill. Hamlet: Why look you now, how unworthy a thing you make of me: you would play upon me; you would seem... | |
 | Nicholas Brooke - 2005 - 240 sivua
...after the King's exit, and it is finally expounded in his dialogue with Rosencrantz and Guildenstern: You would play upon me ; you would seem to know my...stops ; you would pluck out the heart of my mystery . . . (in. ii. 354-5) Scene iii effects a complete reversal of tone: the King, when Polonius leaves... | |
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Why, look you now, how unworthy a thing you make of me! You would play upon me; you would seem to know my stops; you would pluck out the heart of my mystery... 
