 | Carol Rawlings Miller - 2001 - 84 sivua
...to his mistress' eyebrow. Then a soldier, Full of strange oaths and bearded like the pard, panther Jealous in honour, sudden and quick in quarrel, Seeking...whistles in his sound. Last scene of all, That ends this strange eventful history, Is second childishness and mere oblivion, Sans teeth, sans eyes, sans taste,... | |
 | Michael Brogden - 2001 - 226 sivua
...recognised that the later years of life were a problem if prolonged indefinitely: The sixth age shifts 1nto the lean and slipper'd pantaloon, With spectacles...whistles in his sound. Last scene of all, That ends this strange eventful history, 1s second childishness and mere oblivion, Sans teeth, sans eyes, sans taste,... | |
 | Frances Mayes - 2001 - 548 sivua
...saws and modern instances; And so he plays his part. The sixth age shifts Into the lean and slippered pantaloon, With spectacles on nose, and pouch on side;...whistles in his sound. Last scene of all, That ends this strange eventful history, Is second childishness and mere oblivion, Sans teeth, sans eyes, sans taste,... | |
 | Agnes Kaposi, Margaret Myers - 2001 - 390 sivua
...and slipper' d pantaloon, With spectacles on nose and pouch on side, His youthful hose, well sav'd, a world too wide for his shrunk shank; and his big...whistles in his sound. Last scene of all, That ends this strange eventful history, Is second childishness and mere oblivion; Sans teeth, sans eyes, sans taste,... | |
 | Stephen Curtis, Martin Manser - 2000 - 292 sivua
...severe and beard of formal cut, full of wise saws and modern instances'. (6) the lean and slippered pantaloon 'with spectacles on nose and pouch on side,...shrunk shank, and his big manly voice turning again towards childish treble pipes'. (7) second childishness 'sans eyes, sans teeth, sans taste, sans everything'.... | |
 | Patrick Bateson, Paul Patrick Gordon Bateson, Paul Martin - 2001 - 276 sivua
...saws and modern instances; And so he plays his part. The sixth age shifts Into the lean and slippered pantaloon, With spectacles on nose and pouch on side,...shrunk shank; and his big manly voice, Turning again towards childish treble, pipes And whistles in his sound. At this stage both sexes may provide knowledge... | |
 | Alec Reed - 2001 - 168 sivua
...LEAN AND suppER'o pantaloon, WITH SPECTACLES ON NOSE AND POUCH ON SIDE; HIS YOUTHFUL HOSE, WELL SAV'D, A WORLD TOO WIDE FOR HIS shrunk SHANK; AND HIS BIG...TOWARD childish TREBLE, PIPES AND WHISTLES IN HIS SOUND . With the right HR policies you and your key employees can hopefully grow old together. 'Money might... | |
 | Carol Dommermuth-Costa - 2001 - 120 sivua
...Shakespeare's All's Well That Ends We S PAULES CHURCH ij HA ME SI S Chapter SIX THE KING'S MEN The sixth age shifts Into the lean and slipper'd Pantaloon,...toward childish treble, pipes And whistles in his sound CURING SHAKESPEARE'S TIME, THE CITY OF LONDON was a crammed commercial huddle permeated by the smell... | |
 | Paul Shepheard - 2003 - 318 sivua
...saws and modern instances: and so he plays his part. The sixth age shifts into the lean and siipper'd pantaloon, with spectacles on nose and pouch on side,...again toward childish treble, pipes and whistles in the sound. Last scene of all, that ends this strange eventful history, is second childishness and mere... | |
 | Chris Boone Cleveland - 2004 - 106 sivua
...and women merely players. They have their exits and their entrances; And one man in his time plays many parts, His acts being seven ages. At first the...hose, well saved, a world too wide For his shrunk slunk: and his big manly voice, Turning again toward childish treble, pipes And whistles in his sound.... | |
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Made to his mistress' eyebrow. Then a soldier, Full of strange oaths, and bearded like the pard, Jealous in honour, sudden and quick in quarrel, Seeking the bubble reputation Even in the cannon's mouth. And then the Justice, In fair round belly with good... 
