Front cover image for William Congreve : the critical heritage

William Congreve : the critical heritage

The Critical Heritage gathers together a large body of critical sources on major figures in literature. Each volume presents contemporary responses to a writer's work, enabling student and researcher to read the material themselves
eBook, English, 1989
Routledge, London, 1989
Criticism, interpretation, etc
1 online resource (xiv, 494 pages)
9780203197790, 9780415025355, 9786610325115, 9781134782642, 9781280325113, 9780203286401, 0203197798, 0415025354, 6610325111, 1134782640, 1280325119, 0203286405
173610122
Print version:
Cover; William Congreve: The Critical Heritage; Copyright; General Editor's Preface; Contents; Preface; Acknowledgements; Introduction; Part I: The Early Reception; 1. William Congreve, Preface to Incognita, 1691; 2. John Dryden on the Old Batchelour, 1692; 3. Prefatory Poems to the Old Batchelour, 1693; 4. Peter Motteux in the Gentleman's Journal, 1693; 5. Henry Higden in the Preface to the Wary Widdow, 1693; 6. John Dryden in the Dedication to Examen Poeticum, 1693; 7. Thomas Yalden, 'to Mr. Congreve. an Epistolary Ode Occasion'd by His Late Play', 1693 8. Jonathan Swift, to Mr. Congreve', 16939. William Congreve, Epistle Dedicatory to the Double- Dealer, 1693; 10. John Dryden on the Double-dealer, 1693; 11. William Dove, to Mr. Congreve', 1693; 12. Joseph Addison in 'an Account of the Greatest English Poets', 1694; 13. Charles Hopkins in to Walter Moyle, Esq.', 1694; 14. Anon, in the Mourning Poets, 1695; 15. Edward Howard in the Proem to an Essay upon Pastoral, 1695; 16. William Congreve, 'concerning Humour in Comedy', 1695; 17. William Pittis in an Epistolary Poem to N. Tate, Esquire, 1696 18. Catharine Trotter, to Mr. Congreve, on His Tragedy, the Mourning Bride', 169719. Sir Richard Blackmore in the Preface to King Arthur, 1697; 20. Charles Hopkins, Dedication of Boadicea, Queen of Britain, 1697; 21. Anon, in the Justice of Peace, 1697; 22. Jeremy Collier in a Short View of the Immorality, and Profaneness of the English Stage, 1698; 23. Elkanah Settle in a Defence of Dramatick Poetry, 1698; 24. William Congreve in Amendments of Mr. Collier's False and Imperfect Citations, 1698; 25. Anon, in a Letter to Mr. Congreve, 1698 26. Anon, in Animadversions on Mr. Congreve's Late Answer to Mr. Collier, 169827. Jeremy Collier in a Defence of the Short View, 1698; 28. Anon, in Some Remarks upon Mr. Collier's Defence, 1698; 29. Charles Gildon in a Letter to Mr. Congreve, Occasion'd by the Death of the Countess Dowager of Manchester, 1698; 30. Anon, in 'a Session of the Poets', 1698; 31. John Oldmixon in Reflections on the Stage, 1699; 32. James Drake in the Ancient and Modern Stages Survey'd, 1699; 33. Charles Hopkins in 'an Epistle from Mr. Charles Hopkins to Mr. Yalden in Oxon.', 1699 34. Charles Gildon in Lives and Characters of the English Dramatick Poets, 1699?35. Sir Richard Blackmore in a Satyr Against Wit, 1699; 36. William Congreve, Dedication of the Way of the World, 1700; 37. Samuel Wesley in an Epistle to a Friend Concerning Poetry, 1700; 38. Samuel Cobb in Poetae Britannici, 1700; 39. Daniel Kenrick in a New Session of the Poets, Occasion'd by the Death of Mr. Dryden, 1700; 40. Anon, in an Epistle to Sir Richard Blackmore, 1700
Electronic reproduction, [Place of publication not identified], HathiTrust Digital Library, 2010
English